EL EDITOR COMO AUTOR: PRÁCTICAS ECDÓTICAS EN TEXTOS EPISTOLARES

IF 0.1 4区 社会学 0 HUMANITIES, MULTIDISCIPLINARY
A. López
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引用次数: 1

Abstract

Resumen: La constante publicacion de textos epistolares en Espana contrasta con la ausencia de una reflexion sistematica sobre sus criterios de edicion. Ademas, las especiales caracteristicas de la carta privada propician, de modo significativo, la apropiacion de decisiones autoriales por parte del editor. En el presente articulo se aborda la figura del editor como autor en los procesos ecdoticos de seleccion, disposicion y transcripcion de los materiales epistolares, a traves del examen de setenta y cinco ediciones de correspondencia. Ello permite dibujar la orientacion y mecanismos de tales apropiaciones y su tendencia a la alteracion ficcional de textos documentales y autobiograficos. Abstract: The constant publishing of epistolary texts in Spain makes a contrast with the lack of a systematic reflexion about its editing criteria. The private letter’s special features also lead to a significant appropriation of authorial decisions by the editor. On this article, we adress the figure of the editor as author in the selection, arrangement and transcription processes for epistolary materials through the exam of sixty five correspondence editions. This makes it possible to draw the orientation and mechanisms of such appropriations and their trend to fictional alterations on documentary and autobiographical texts.
摘要:在西班牙,书信文本的不断出版与缺乏对其编辑标准的系统反思形成了对比。此外,私人信件的特殊特点在很大程度上鼓励了出版商挪用作者的决定。在这篇文章中,我们讨论了编辑作为作者在选择、处理和抄写书信体材料的ecdoticos过程中所扮演的角色,通过对75个版本的通信的审查。在这篇文章中,我们提出了一种方法,通过这种方法,研究人员可以在他们的作品中使用虚构的文本。Abstract:常数publishing epistolary texts in Spain曾对比with The缺乏of a systematic reflexion about its editing标准。私人信件的特殊特点也导致编辑大量使用作者的决定。在这篇文章中,我们通过65个通信版本的考试,向编辑作为作者介绍书信材料的选择、安排和转录过程。这样就可以确定这种拨款的方向和机制,以及它们对纪录片和自传文本进行虚构修改的趋势。
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来源期刊
CiteScore
0.40
自引率
0.00%
发文量
258
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