Otto Marseus van Schrieck in Rome: een opdracht van Cassiano dal Pozzo

IF 0.1 2区 艺术学 0 ART
J. Rutgers
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引用次数: 0

Abstract

A letter of 1652 by the Italian scientist Cassiano dal Pozzo sheds new light on the Roman activity of the Dutch still-life painter Otto Marseus van Schrieck. Dal Pozzo writes to the Florentine botanist Giovanni Nardi to say that he intends having 'Otho Merceus' make drawings of a precious specimen of a 'cedrato', a type of citrus fruit, which he has received from the Medici garden. That drawing on vellum will enable him to make this discovery known to his friends. The Dutch master is said to have worked for him on at least one other occasion with satisfactory results. This commission by Dal Pozzo places Otto Marseus van Schrieck as a botanical draughtsman at the centre of a group of early modern scientists, the members of the Accademia del Linceo. They included the Florentine cardinals Leopoldo and Gian Carlo de' Medici, both of whom are also known as Italian patrons of the artist. Early sources, among them Balthasar Monconys's diary, already state that Van Schrieck made many drawings for his own use while in Italy, presumably botanical ones, among others. It was not known that he also did so professionally at the time. Later in life, back in Holland, he made comparable botanical studies on commission for Agneta Block.
奥托·马修斯·范·施里克在罗马:由Cassiano dal Pozzo委托
意大利科学家Cassiano dal Pozzo于1652年写的一封信,为荷兰静物画家Otto Marseus van Schrieck在罗马的活动提供了新的线索。达尔·波佐写信给佛罗伦萨植物学家乔瓦尼·纳尔迪,说他打算让“奥索·梅塞乌斯”为他从美第奇花园收到的一种珍贵的“雪松”标本画一幅画。那张牛皮纸上的画将使他能够把他的发现告诉他的朋友。据说这位荷兰大师至少在其他场合为他工作过一次,结果令人满意。Dal Pozzo的这项委托将Otto Marseus van Schrieck作为一名植物绘图员,置于一群早期现代科学家的中心,这些科学家是Linceo学院的成员。他们包括佛罗伦萨枢机主教莱奥波尔多和吉安·卡洛·德·美第奇,这两人也都是这位艺术家的意大利赞助人。早期的资料,包括Balthasar Monconys的日记,已经表明,Van Schrieck在意大利时画了许多自用的画,可能是植物画,等等。人们并不知道,他当时也是以专业的方式这么做的。后来,回到荷兰,他受Agneta Block委托进行了类似的植物学研究。
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来源期刊
OUD HOLLAND
OUD HOLLAND Arts and Humanities-Visual Arts and Performing Arts
CiteScore
0.30
自引率
33.30%
发文量
7
期刊介绍: The periodical Oud Holland is the oldest surviving art-historical periodical in the world. Founded by A.D. de Vries and N. der Roever in 1883, it has appeared virtually without interruption ever since. It is entirely devoted to the visual arts in the Netherlands up to the mid-nineteenth century and has featured thousands of scholarly articles by Dutch and foreign authors, including numerous pioneering art-historical studies. Almost from the magazine’s inception, the publication of archival information concerning Dutch artists has played an important role. From 1885 to his death in 1946, the renowned art historian Dr. Abraham Bredius set a standard of excellence for Oud Holland.
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