17Performance, Theater, Drama

Q3 Arts and Humanities
Rebecca Kastleman
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引用次数: 0

Abstract

This year saw the continued expansion of four vibrant conversations within the field of theater and performance studies. The first section of this review, ‘World Stages and Their Borders’, features scholarship that explores how theaters represent worlds beyond the nation’s territorial and symbolic boundaries. The second section, ‘Performing Critical Temporalities’, considers studies of minoritarian performance that engage with the lived experience of time. In the third section, ‘Theater After Liveness’, I discuss scholarship on modern drama that is in dialogue with theories of performance as a live event. A fourth section considers new works on the nineteenth-century theater, showing how ‘Celebrity, Publicity, and Amateurism’ are entwined. Finally, a brief concluding note outlines significant biographies and reference works released within the past year.
表演、戏剧、戏剧
今年,在戏剧和表演研究领域,四个充满活力的对话继续扩大。本评论的第一部分,“世界舞台及其边界”,以探索剧院如何代表国家领土和象征性边界之外的世界为特色。第二部分,“表演临界时间性”,考虑了与时间的生活经验有关的少数民族表演的研究。在第三部分“生活后的戏剧”中,我讨论了与作为现场活动的表演理论对话的现代戏剧学术。第四部分考虑了19世纪戏剧的新作品,展示了“名人、宣传和业余”是如何交织在一起的。最后,一个简短的总结说明概述了重要的传记和参考书在过去一年中发布。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
Year''s Work in Critical and Cultural Theory
Year''s Work in Critical and Cultural Theory Arts and Humanities-Literature and Literary Theory
CiteScore
0.20
自引率
0.00%
发文量
19
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