Mothers and Melancholia: Sacrifice in Søren Kierkegaard’s Fear and Trembling

IF 0.3 0 RELIGION
Cæcilie Varslev-Pedersen
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引用次数: 0

Abstract

The article examines sacrifice in Søren Kierkegaard’s Fear and Trembling. I argue that in order to understand the meaning of sacrifice in this work, we have to account for the four poetic images of a weaning mother – often overlooked by commentators – that we find in the section entitled “Attunement”. I show that we can make sense of the images once we situate them within the context of Kierkegaard’s (or his pseudonyms’) broader critique of modernity, autonomous subjectivity, and the loss of premodern forms of authority. On my interpretation, for Kierkegaard, sacrifice entails a rupture of a communal bond; yet his pseudonyms explore both secular and religious ways of responding to such a rupture. Finally I argue that while Fear and Trembling ultimately offers no clear solutions, the story Kierkegaard conveys to us – a story about sacrifice, mourning, and mothering – can inspire us to reflect on the modern condition.
母亲与忧郁症:克尔凯郭尔《恐惧与颤抖》中的牺牲
本文考察了克尔凯郭尔的《恐惧与颤抖》中的牺牲。我认为,为了理解这部作品中牺牲的意义,我们必须解释我们在题为“调谐”的部分中发现的四个经常被评论家忽视的断奶母亲的诗意形象。我表明,一旦我们将这些图像置于克尔凯郭尔(或他的笔名)对现代性、自主主体性和前现代权威形式的丧失的更广泛批判的背景下,我们就可以理解这些图像。在我看来,对于克尔凯郭尔来说,牺牲意味着公共纽带的断裂;然而,他的笔名探索了世俗和宗教两种方式来回应这种破裂。最后,我认为,虽然《恐惧与颤抖》最终没有提供明确的解决方案,但克尔凯郭尔传达给我们的故事——一个关于牺牲、哀悼和母爱的故事——可以激发我们对现代状况的反思。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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