Poetry co-translation and an attentive cosmopolitanism: internationalising contemporary Japanese poetry

Coolabah Pub Date : 2021-06-03 DOI:10.1344/CO2021304-22
C. Atherton, P. Hetherington, R. Kikuchi
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Abstract

The majority of Japanese poetry currently reaches a limited readership outside of Japan. As a result, many contemporary Japanese poets are searching for ways to have their poems translated into English and published in English-language journals. Achieving satisfactory translation results, however, is considerably more complicated than switching words from one language into another and scholarship on the subject of translating Japanese poetry is often vexed. This scholarship frequently traverses much of the same ground as the debate about Japanese prose translation where, depending on their approach, translators may be labelled ‘literalists’ or ‘libertines’. This paper argues that co-translating Japanese poetry may be as much about sharing ideas and ideologies as about lineation, cadence or word choice. Co-translating Japanese poetry has the power to build cross-cultural understandings and to explore and promote ways of understanding Japanese identity. We argue that while translation is often undertaken by the translators in their country of residence, the experience of genius loci and undertaking co-translation in situ may best accommodate such a cross-cultural synergy.This paper draws on our collective experiences in a series of translation workshops at Meiji University. These were organised by Rina Kikuchi, a literary scholar and translator from Japan. Among other Australian poets and scholars, Paul Hetherington and Cassandra Atherton were paired with Japanese poets for co-translation purposes. They co-translated Japanese poetry into English and had their own poems translated into Japanese with the assistance of Kikuchi who acted as the lynchpin for the workshops. The experience was celebrated in a series of poetry readings in Tokyo and Nara. Significantly, although neither Hetherington nor Atherton is fluent in Japanese, they found the process of co-translation to include what one may call an attentive cosmopolitanism, incorporating respect and understanding for different cultural assumptions and poetic ideas.
诗歌共译与细心的世界主义:当代日本诗歌的国际化
目前,大多数日本诗歌在日本以外的读者数量有限。因此,许多当代日本诗人正在寻找将他们的诗歌翻译成英语并在英语期刊上发表的方法。然而,要达到令人满意的翻译效果,远比把单词从一种语言转换成另一种语言要复杂得多,而且关于日本诗歌翻译这一主题的学术研究常常令人烦恼。这种学术研究经常与关于日本散文翻译的争论在很大程度上是相同的,根据他们的方法,译者可能被贴上“字面主义者”或“自由主义者”的标签。本文认为,日本诗歌的共同翻译可能不仅是在线条、节奏或用词上的交流,也是在思想和意识形态上的交流。共同翻译日本诗歌具有建立跨文化理解、探索和促进理解日本身份的能力。我们认为,虽然翻译通常是由译者在其居住国进行的,但天才位点和在当地进行联合翻译的经验可能最适合这种跨文化协同作用。本文借鉴了我们在明治大学一系列翻译研讨会上的集体经验。这些活动是由日本文学学者兼翻译家菊池里娜(Rina Kikuchi)组织的。在其他澳大利亚诗人和学者中,保罗·赫瑟林顿和卡桑德拉·阿瑟顿与日本诗人合作翻译。他们共同将日本诗歌翻译成英语,并在菊地的帮助下将自己的诗歌翻译成日语,菊地是讲习班的关键人物。这次经历在东京和奈良举行了一系列诗歌朗诵会。值得注意的是,尽管赫瑟林顿和阿瑟顿都不精通日语,但他们发现共同翻译的过程中包含了一种人们可以称之为细心的世界主义,包括对不同文化假设和诗歌思想的尊重和理解。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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