Promoting Europe through ‘Unity in Diversity’: Avignon as European Capital of Culture in 2000

Mark Ingram
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引用次数: 2

Abstract

This article examines the reception of European Union cultural policy through Avignon's experience as European Capital of Culture (ECOC) in 2000, focusing specifically on the EU objective of achieving “Unity in Diversity” through culture. Some recent studies argue that ECOC projects have served as media for conceptions of culture that are less essentialist and more centered on transformation and border-crossing than those promoted by national and regional cultural policies of the past. Assuming that one of the primary obstacles to overcoming social divisions in urban centers is the alienation of the residents of low-income, peripheral neighborhoods, this article focuses particular attention on a website created to promote Gypsy heritage. Consideration of this case underscores the uneasy balance struck between the goal of redefining cities as attractive to potential tourists and residents and the goal of overcoming the “democratic deficit” affecting disadvantaged urban populations. The case of Avignon highlights obstacles within cities to the broad diffusion and acceptance of more cosmopolitan models of European culture centered on dialogue and exchange.

通过“多元统一”促进欧洲:阿维尼翁当选2000年欧洲文化之都
本文通过阿维尼翁在2000年作为欧洲文化之都(ECOC)的经历来考察欧盟文化政策的接受情况,特别关注欧盟通过文化实现“多样性中的统一”的目标。最近的一些研究认为,与过去的国家和地区文化政策所推动的文化概念相比,ECOC项目已经成为文化概念的媒介,这些文化概念不那么本质主义,更注重转型和跨越边界。假设克服城市中心社会分化的主要障碍之一是低收入外围社区居民的疏离感,本文特别关注一个为推广吉普赛遗产而创建的网站。对这一案例的审议强调了在重新定义城市以吸引潜在游客和居民的目标与克服影响弱势城市人口的“民主赤字”的目标之间难以取得的平衡。阿维尼翁的案例突出了城市内部的障碍,阻碍了以对话和交流为中心的更国际化的欧洲文化模式的广泛传播和接受。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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