The Asta Nielsen brand: advertising long feature star series in German local newspapers, 1911 to 1914

IF 0.1 4区 社会学 0 HUMANITIES, MULTIDISCIPLINARY
Friederike Grimm
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引用次数: 0

Abstract

ABSTRACT Based on nearly 5,000 cinema ads from German newspapers, this article reveals the marketing of the Asta Nielsen brand from 1911 to 1914 in 53 cities and towns in Germany. The three Asta Nielsen series were the first long feature star series in Europe to be distributed with exclusive exhibition rights. The distributor Internationale Film-Vertriebs-Gesellschaft m.b.H. (IFVG) supplied promotional materials such as ad models and sales brochures to support cinema managers’ advertising in their local newspapers. With the epithet ‘the Duse of cinema art’, uniform portrait vignettes and versatile character vignettes, IFVG tried to address several target groups at the same time. In the course of the three cinema seasons from 1911/12 to 1913/14, a change in the Asta Nielsen brand can be observed: the face of the brand changed from a figure with whom the average viewer could identify to an inimitable film diva and the references to legitimate theatre became less and less prominent. By analysing business-to-consumer communication, this article shows which promotional materials cinema managers adopted and which specific strategies they used to attract their local audience.
亚洲尼尔森品牌:1911年至1914年在德国地方报纸上的广告长特写明星系列
摘要本文以德国报纸上近5000个电影院广告为基础,揭示了1911年至1914年亚洲尼尔森品牌在德国53个城镇的营销情况。这三个亚洲尼尔森系列是欧洲首个拥有独家展览权的长篇明星系列。发行商IFVG提供了广告模型和销售手册等宣传材料,以支持影院经理在当地报纸上做广告。通过“电影艺术的使用”,统一的肖像小品和多才多艺的人物小品,IFVG试图同时解决几个目标群体。从1911/12年到1913/14年的三个电影季中,我们可以观察到亚洲尼尔森品牌的变化:品牌的形象从一个普通观众可以识别的人物变成了一个不可模仿的电影女主角,对合法剧院的引用变得越来越不突出。通过分析企业对消费者的沟通,本文显示了影院经理采用了哪些宣传材料,以及他们使用了哪些具体策略来吸引当地观众。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
Early Popular Visual Culture
Early Popular Visual Culture HUMANITIES, MULTIDISCIPLINARY-
CiteScore
0.20
自引率
0.00%
发文量
50
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