"De divino furore": el arrebato divino y la mística neoplatónica. El poeta como "priscus theologus" en el platonismo renacentista

IF 0.4 0 PHILOSOPHY
A. Paul
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Abstract

Humanism and philosophy in the Renaissance recover the ideal of poetic theology [ theologia poetica ] a knowledge where essential truths of mystic-religious nature were hidden under an allegorical veil. The poet is, then, a theologian philosopher, essential part of an ancient tradition that served the ends of true faith. In this sense, the restoration of the privileged place of poetics by the classical humanists was functional to the philosophy of Marsilio Ficino, a Florentine neoplatonist of the fifteenth century, who will recognize in the figure of Orfeo the theologian poet by excellence. According to Ficino, the works of the poets reveal the divinity allegorically, in the form of a poetic theology, thus opening the possibility of an ontological revelation of prophetic character. The objective of the article is to examine the role of the divine furor in the thought of Marsilio Ficino regarding the mystical experience and the conception of “poetic theology”.
《神圣的愤怒》:神圣的爆发和新柏拉图主义的神秘主义。在文艺复兴时期的柏拉图主义中,诗人被称为“普里库斯·神学家”
文艺复兴时期的人文主义和哲学恢复了诗歌神学(theologia poetica)的理想,这是一种知识,其中神秘宗教本质的基本真理隐藏在寓言的面纱之下。因此,诗人是神学家哲学家,是为真正信仰的目的服务的古老传统的重要组成部分。从这个意义上说,古典人文主义者对诗学的特权地位的恢复对马尔西利奥·菲西诺的哲学起了作用,他是15世纪佛罗伦萨的新柏拉图主义者,他将神学家诗人奥菲奥的形象视为卓越。根据菲西诺的观点,诗人的作品以寓言的方式揭示了神性,以诗歌神学的形式,从而开启了预言性的本体论启示的可能性。本文的目的是考察神圣的愤怒在马西利奥·菲西诺关于神秘经验和“诗意神学”概念的思想中的作用。
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