Research through and through design

Q2 Arts and Humanities
Artifact Pub Date : 2021-12-01 DOI:10.1386/art_00016_1
Johan Redström
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引用次数: 1

Abstract

An intriguing aspect of the notion of research through design is how much we seem to gain from its proposition and how informative it appears to be, even as we do not state precisely what is meant by the terms research or design. But, what is it that this notion of through calls to the foreground? In what follows, I discuss three interpretations of what through might refer to by looking at it from different perspectives: through practice, through making and through judgement. Different perspectives bring different possibilities to the foreground, and therefore they also suggest slightly different future trajectories. But this also means that some issues fade into the background, something new perspectives can help us get a glimpse of. This is perhaps especially evident in the case of judgement, the least familiar of the three. Looking across the range of research trajectories that these three perspectives open up, there are reasons to think that we can make research through design become a more extensive, inclusive and a far more radical research proposition than its name reveals.
通过设计进行研究
通过设计进行研究这一概念的一个有趣的方面是,我们似乎从它的命题中获得了多少,它似乎提供了多少信息,即使我们没有确切地说明研究或设计这两个术语的含义。但是,通过这个概念调用前景是什么呢?在接下来的内容中,我将从不同的角度讨论对through可能指的东西的三种解释:通过实践,通过制作和通过判断。不同的视角给前景带来不同的可能性,因此它们也暗示了略微不同的未来轨迹。但这也意味着一些问题会消失在背景中,一些新的视角可以帮助我们瞥见。这一点在判断方面可能尤为明显,这是三者中最不为人所知的。纵观这三种观点所开辟的研究轨迹范围,我们有理由认为,我们可以使通过设计进行的研究成为一个比它的名字所显示的更广泛、更包容、更激进的研究主张。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
Artifact
Artifact Arts and Humanities-Visual Arts and Performing Arts
CiteScore
0.50
自引率
0.00%
发文量
0
审稿时长
20 weeks
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