Art and permeable moments

Abstract

Chapter two endeavours to define art amid a portmanteau—starting with Jean-Luc Nancy’s understanding of art and the image in The Ground of the Image, Bataille’s ideas concerning art as a rupture or fissure, Jean Baudrillard’s Why Hasn’t Everything Already Disappeared?, and Paul Virilio’s The Accident of Art—to understand better the accident, disappearance, and destruction that art courts. Next, it proposes that through this art houses a solvency—in a sense undoing, yet at the same time securing or making fixed—as conflicting and resistant tendencies within the object formed. This chapter also puts forward a correlation between Bataille and Virilio and their ideas regarding the negative or reverse miracle (that they suggest gives art its form), which is similarly made visible through loss or destruction.