Décor Motifs of the Bronze Chandeliers in Lithuania and Latvia in the 16th to the 18th Century: Typology, Prevalence, Symbolism

Q3 Arts and Humanities
Alantė Valtaitė-Gagač
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引用次数: 0

Abstract

Summary The article analyses for the first time the décor motifs of the bronze chandeliers from Lithuania and Latvia in the 16th–18th century. More abundant objects in Latvia are used to reconstruct the lost heritage of chandeliers in Lithuania, and the variety, origin, and symbolism of décor motifs are analysed. The study revealed two groups of décor elements: some of them came from the Gothic and were still used during the Renaissance, while other motifs were started to use altogether with the beginning of the promotion of antiquity culture in the 16th century. The tops of the chandeliers were not decorated with random but rather relevant and important elements of the symbolic meaning of that period. These could be allegorical motifs of décor symbolising fire/Heavenly light, motifs symbolising Divine order on earth or Divine patronage, as well as heraldic décor elements denoting political relationships or friendliness.
16至18世纪立陶宛和拉脱维亚青铜枝形吊灯的图案:类型学、流行、象征主义
本文首次分析了16 - 18世纪立陶宛和拉脱维亚的青铜枝形吊灯的纹饰。拉脱维亚更丰富的物品被用来重建立陶宛丢失的枝形吊灯遗产,并分析了dsamcor图案的种类、起源和象征意义。该研究揭示了两组dsamcor元素:其中一些来自哥特风格,在文艺复兴时期仍在使用,而其他图案则是在16世纪开始推广古代文化时开始使用的。枝形吊灯的顶部不是随意装饰的,而是与那个时期的象征意义相关且重要的元素。这些可能是象征着火/天国之光的寓言主题,象征着地球上的神圣秩序或神圣庇护的主题,以及象征着政治关系或友好的纹章元素。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
Art History and Criticism
Art History and Criticism Arts and Humanities-Visual Arts and Performing Arts
CiteScore
0.30
自引率
0.00%
发文量
7
审稿时长
24 weeks
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