„Utopkowa” tożsamość w niemieckojęzycznej powieści Leszka Libery

Agnieszka Miernik
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Abstract

This article reflects on the universal values of Leszek Libera’s novel Utopek, on what always remains “unspeakable” in Silesian issues, and on the internal life of the personal (author’s) and collective memory of Silesian generations. The author deals, in an original and profound way, with the problems that are still traumatic for many people in Upper Silesia. The complex Polish-German biographies of the inhabitants of the Silesian lands include the fate of the author and his family, contributing to the collective memory of a difficult past. Written in exile, the German-language work was highly praised by native critics, who stressed that the novel could rival the great classics. The emigrants outlook allowed for a distanced and multi-perspective view of history that cannot be discussed in rigid paradigms. The specificity, complexity and indeterminacy of Silesian identity are expressed in the novel through the figure of the Utopling, a fictional being who does not fit into the world in which he lives, who perceives the absurdities of reality and longs to return to his native utopia. The figure of the Utopling embraces the extremes and opposites inherent in the Silesian landscape. The character is at once hypersensitive and cruel, native and universal, local and a stranger, outgoing and claustrophobic, likeable and repulsive.
本文反思Leszek Libera小说《乌托邦》的普世价值、西里西亚议题中始终“无法言说”的内容,以及西里西亚世代个人(作者)与集体记忆的内在生活。作者以一种新颖而深刻的方式处理了上西里西亚许多人仍然受到创伤的问题。西里西亚土地上的居民的复杂的波兰-德国传记包括作者和他的家人的命运,有助于一个艰难的过去的集体记忆。这部德语作品是在流亡期间写成的,受到了当地评论家的高度赞扬,他们强调这部小说可以与伟大的经典相媲美。移民的观点允许对历史的远距离和多角度的看法,不能在僵化的范式中讨论。西里西亚身份的特殊性、复杂性和不确定性在小说中通过Utopling的形象表现出来。Utopling是一个虚构的存在,他不适应他所生活的世界,他意识到现实的荒谬,渴望回到他家乡的乌托邦。Utopling的形象包含了西里西亚景观固有的极端和对立。这个角色既敏感又残忍,既本土又普遍,既本土又陌生,既外向又幽闭,既可爱又令人厌恶。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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