Feeling real and rehearsal for reality: psychosocial aspects of ‘forum theatre’ in care settings and prisons

IF 0.2 Q4 PSYCHOLOGY, MULTIDISCIPLINARY
L. Froggett, Laura Kelly-Corless, J. Manley
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引用次数: 0

Abstract

This article discusses psychosocial aspects of a short drama module, drawing on observational research into the adaptation of ‘forum theatre’ by Odd Arts theatre company for people in educational, care and custodial settings. The course facilitated the enactment of life experiences and choices, enhancing self-awareness and reflective capacity. The drama space is considered as ‘third space’, and a transitional space, where participants play with creative illusion in what Augusto Boal called a ‘rehearsal for reality’. We argue that the use of third-space and third-position thinking is key to understanding forum theatre as a restorative practice both through rehearsal and in ‘playing for real’ before an audience ‐ a symbolic community that offers the opportunity for recognition. Problems attendant on the performance of ‘false self’ arise where there is collusive avoidance of difficult issues because the value of forum theatre lies in the achievement of authorship and authenticity ‐ or ‘true self’ ‐ publicly performed and owned. It is this that allows individuals to imagine the possibility of creative living in the future.
感受真实和对现实的预演:护理机构和监狱中“论坛戏剧”的社会心理方面
本文讨论了一个短剧模块的社会心理方面,借鉴了Odd艺术剧院公司对教育、护理和监护环境中的人的“论坛戏剧”改编的观察性研究。该课程促进了人生经历和选择的制定,增强了自我意识和反思能力。戏剧空间被认为是“第三空间”,也是一个过渡空间,参与者在这里玩创造性的幻觉,奥古斯托·鲍尔称之为“现实的排练”。我们认为,使用第三空间和第三位置思维是理解论坛戏剧作为一种恢复性实践的关键,既可以通过排练,也可以在观众面前“真实地表演”——一个提供认可机会的象征性社区。由于论坛戏剧的价值在于实现作者身份和真实性——或“真实自我”——公开表演和拥有,因此,在合谋回避困难问题的情况下,“虚假自我”的表演就会出现问题。正是这一点使人们能够想象未来创造性生活的可能性。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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CiteScore
0.90
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