The Court and the Monastery Complexes as Centers of Craft Production in Medieval Serbia

IF 0.3 Q4 ANTHROPOLOGY
Aleksandra Fostikov
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Abstract

Being important economical centers on the territory of medieval Serbia and places that in the division of power into sacral and secular stood out, the court and the monastery were the central places of the manor but also first grade centers i.e. urban settlements within boundaries or fence-encircled areas. This was especially the case with the court of the ruler or the head of the church. Thus, in parallel with the craftsmen who were working for the sovereign, landlord or for the monastery on the territory of the manor – the craftsmanship activity was also taking place within the court or monastery complex - on the territory of physically or imaginarily enclosed economic space - the immediate courtyard. Unlike monasteries whose yard had been encircled and so there is no doubt to whom the workshop actually belonged, in the case of the fortified capital cities, it is difficult to make a distinction between the lord and city workshops. This is especially the case when there are no written sources or systematic archaeological excavations. Based on current knowledge it can be assumed that within the palace complex there were a blacksmith, a goldsmith, a mint, a potter and a tailor, and very likely shoemaker workshops. They were appropriately employing blacksmiths, weavers, gunsmiths, goldsmiths, jewelers, potters, craftsmen who worked on the production and decoration of clothes and shoes, and probably persons practicing the fine crafts, such as engraving. In the case of monasteries, there were blacksmith, goldsmith and potter workshops, and based on the tools it can be assumed that leather production was also present. Workshops with artisans for the production of the essential elements of books, especially within the scriptoriums, should be added to this list as well. Among them, the most skilled ones were certainly the craft masters. The monastery and church circle were common to found in the working role of craftsmen in a secular environment, as well as secular persons working in the monasteries. Apart from the craftsmen who lived continuously in the complexes, there were also those who traveled with their masters, or stayed within the complexes for a prolonged time due to their working obligations. In that case and where the work was related to a large construction project, some of them stayed within the complexes for years.
作为中世纪塞尔维亚工艺生产中心的宫廷和修道院建筑群
宫廷和修道院是中世纪塞尔维亚领土上重要的经济中心,也是神圣和世俗权力划分中突出的地方,它们是庄园的中心,也是一级中心,即在边界或围栏包围区域内的城市定居点。这在统治者或教会领袖的法庭上尤其如此。因此,与在庄园领土上为君主、地主或修道院工作的工匠一样,手工艺活动也在宫廷或修道院综合体内进行,在物理上或想象上封闭的经济空间的领土上,即直接庭院。与庭院被包围的修道院不同,工场实际上属于谁是毫无疑问的,在设防都城的情况下,很难区分主工场和城市工场。特别是在没有书面资料或系统的考古发掘的情况下。根据目前的知识,可以假设宫殿里有一个铁匠,一个金匠,一个造币厂,一个陶工和一个裁缝,很可能还有鞋匠作坊。他们适当地雇用铁匠、织布工、枪匠、金匠、珠宝商、陶工、从事服装和鞋子生产和装饰的工匠,可能还有从事精细工艺的人,比如雕刻。在修道院的情况下,有铁匠,金匠和陶工车间,根据工具可以假设皮革生产也存在。与工匠一起制作书籍基本元素的讲习班,特别是在写字间内,也应列入这一清单。其中,最熟练的当然是工艺大师。修道院和教堂的圈子在世俗环境中的工匠的工作角色以及在修道院工作的世俗人士中都是常见的。除了长期居住在建筑群中的工匠外,还有一些工匠跟随他们的主人旅行,或者由于他们的工作义务而长期留在建筑群中。在这种情况下,如果工作与大型建筑项目有关,他们中的一些人会在建筑群中呆上几年。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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50.00%
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10 weeks
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