Magic World in Song of Solomon: A Return to Black Culture

IF 0.3 3区 文学 0 LITERATURE
Ping Du
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引用次数: 0

Abstract

ABSTRACT Magic realism, originated from Latin America, manifests mainly three artistic principles in Song of Solomon: first, confusing the boundary between reality and fantasy to create a magic world, where man and ghost coexist and co-communicate. Second, employ mythological archetypes to endow reality with fabulous meanings. It helps to show how American black women fight against cultural oppression and keep their cultural heritage and traditional values. Lastly, Song of Solomon also uses some techniques such as allegory and symbolism to convey the themes. A “Solomon’s song” reveals the miserable fate of American black women and their role and function in their men’s journey.
《所罗门之歌》中的魔幻世界:黑人文化的回归
源自拉丁美洲的魔幻现实主义,在《所罗门之歌》中主要体现了三个艺术原则:第一,混淆现实与幻想的界限,创造一个人与鬼共存、共融的魔幻世界。第二,运用神话原型赋予现实神话意义。它有助于展示美国黑人妇女如何与文化压迫作斗争,并保持他们的文化遗产和传统价值观。最后,《所罗门之歌》还运用了隐喻、象征等手法来传达主题。一首《所罗门之歌》揭示了美国黑人女性的悲惨命运,以及她们在男性发展历程中的角色和作用。
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来源期刊
Comparative Literature East  West
Comparative Literature East West Arts and Humanities-Literature and Literary Theory
CiteScore
0.50
自引率
0.00%
发文量
14
审稿时长
20 weeks
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