Mikalojus Konstantinas Čiurlionis’s Socio-Cultural Connections and Professional Self-Realisation in Lithuania

Q3 Arts and Humanities
Colloquia Pub Date : 2021-12-30 DOI:10.51554/coll.21.46.02
Nida Gaidauskienė
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引用次数: 0

Abstract

In 1907–1909, Mikalojus Konstantinas Čiurlionis worked with seven national societies active in Lithuania: Lithuanian Art Society, Amateur Music and Theatre Society “Vilniaus Kanklės”, Lithuanian Association “Rūta” in Vilnius, Music and Theatre Society “Daina” in Kaunas, Lithuanian Scientific Society, Lithuanian Mutual Aid Society of Vilnius, and Charitable Society for Pupils and Students “Žiburėlis”. He was a member of the formerthree organizations. The Lithuanian Art Society was the main platform for Čiurlionis’s professional and social self-realisation. He served as its vice-chair and from September 1907 to September 1909 stood in for its chair, Antanas Žmuidzinavičius. He organised the Second Lithuanian Art Exhibition. On Čiurlionis initiative, the music section was established at the Society. Together with his colleagues, he organized a competition for Lithuanian composers; he also envisaged a periodical of music, art, and literature.The article discusses the question of the affiliation with the Lithuanian Vilnius Choir led by Čiurlionis. The research has revealed that Čiurlionis conducted a united choir consisting of the singers from the Lithuanian Mutual Aid Society of Vilnius and “Vilniaus Kanklės”. His participation in two soirees organised by “Žiburėlis”, quite favourable reviews of his artworks written by the liberals, and the principled criticism by the conservative cleric Aleksandras Dambrauskas (nom de plume Adomas Jakštas) demonstrate that Čiurlionis found it easier to work with democratic left-wing cultural figures. In June of 1909, Čiurlionis’s concert and the design of the curtain on the premises of the Lithuanian Association “Rūta” were associated with Andrius Domaševičius and Kipras Petrauskas. In his letter, Čiurlionis called himself “progressive.” It was uncharacteristic to indicate one’s party affiliation; in Čiurlionis’s case, it meant to be of liberal orientation. However, it was precisely because of his “leftist” views that the Educational Society “Aušra” deemed his membership unreliable. On July 11, 1909, Čiurlionis was nominated to the commission to collect songs for the Lithuanian Scientific Society. Unfortunately, the illness that manifested itself in December of 1909 prevented the composer from carrying out the work.
Mikalojus Konstantinas Čiurlionis立陶宛的社会文化联系与职业自我实现
1907-1909年,米卡柳斯·康斯坦丁纳斯Čiurlionis与活跃在立陶宛的七个国家协会合作:立陶宛艺术协会、维尔纽斯业余音乐和戏剧协会Kanklės、维尔纽斯立陶宛协会Rūta、考纳斯音乐和戏剧协会Daina、立陶宛科学协会、维尔纽斯立陶宛互助会、小学生和学生慈善协会Žiburėlis。他是前三个组织的成员。立陶宛艺术协会是Čiurlionis专业和社会自我实现的主要平台。他担任副主席,从1907年9月到1909年9月担任主席,Antanas Žmuidzinavičius。他组织了第二届立陶宛艺术展。在Čiurlionis的倡议下,该协会成立了音乐部门。他和他的同事们一起组织了立陶宛作曲家的比赛;他还设想创办一份音乐、艺术和文学期刊。本文讨论了与Čiurlionis领导的立陶宛维尔纽斯合唱团的隶属关系问题。研究表明,Čiurlionis组织了一个由维尔纽斯立陶宛互助协会和“维尔纽斯Kanklės”的歌手组成的联合合唱团。他参加了两次由“Žiburėlis”组织的晚会,自由主义者对他的作品进行了相当好评的评论,保守派牧师亚历山大·达姆布劳斯卡斯(笔名阿多马斯Jakštas)的原则性批评表明,Čiurlionis发现与民主左翼文化人物合作更容易。1909年6月,Čiurlionis的音乐会和立陶宛协会“Rūta”场地的幕布设计与安德里乌斯Domaševičius和基普拉斯·彼得雷乌斯卡斯有关。Čiurlionis在信中称自己为“进步派”。表明自己的党派关系是不寻常的;在Čiurlionis的例子中,它意味着自由主义取向。然而,正是因为他的“左派”观点,教育协会“Aušra”认为他的会员资格不可靠。1909年7月11日,Čiurlionis被提名为立陶宛科学协会收集歌曲的委员会成员。不幸的是,1909年12月出现的疾病使作曲家无法完成这项工作。
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来源期刊
Colloquia
Colloquia Arts and Humanities-Literature and Literary Theory
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