{"title":"A Queer Tale of Two Endings: Alice Dunbar-Nelson and \"His Heart's Desire\"","authors":"J. Lutes","doi":"10.1353/JNC.2021.0020","DOIUrl":null,"url":null,"abstract":"Abstract:Combining archival research with childhood and Queer studies, this essay analyzes multiple versions of \"His Heart's Desire,\" an extraordinary but little-known short story by Alice Dunbar-Nelson about a racially unmarked boy who wants a blonde, blue-eyed doll. While the story was originally meant to be part of a never-finished story collection, it has seen print separately in two different versions, one published during Dunbar-Nelson's lifetime and one posthumously. In this essay, I argue that the story's two published versions, when read together, make a devastating case for the damage wrought by global imperialism and its fetishizing of white femininity. My comparative textual study also indicates Dunbar-Nelson may have engaged in savvy self-censorship that ultimately contributed to her relative obscurity in the current day, even among scholars of African American studies and Queer studies.","PeriodicalId":41876,"journal":{"name":"J19-The Journal of Nineteenth-Century Americanists","volume":"9 1","pages":"207 - 228"},"PeriodicalIF":0.1000,"publicationDate":"2021-05-06","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"J19-The Journal of Nineteenth-Century Americanists","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1353/JNC.2021.0020","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"LITERATURE, AMERICAN","Score":null,"Total":0}
引用次数: 0
Abstract
Abstract:Combining archival research with childhood and Queer studies, this essay analyzes multiple versions of "His Heart's Desire," an extraordinary but little-known short story by Alice Dunbar-Nelson about a racially unmarked boy who wants a blonde, blue-eyed doll. While the story was originally meant to be part of a never-finished story collection, it has seen print separately in two different versions, one published during Dunbar-Nelson's lifetime and one posthumously. In this essay, I argue that the story's two published versions, when read together, make a devastating case for the damage wrought by global imperialism and its fetishizing of white femininity. My comparative textual study also indicates Dunbar-Nelson may have engaged in savvy self-censorship that ultimately contributed to her relative obscurity in the current day, even among scholars of African American studies and Queer studies.