Mira Kubasińska – Career Development and Evolution of the Artistic Image in the Years 1963–1973

W. Kwieciński
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引用次数: 0

Abstract

Mira Kubasińska (1944–2005) was one of the most characteristic figures in female pop that appeared in the big beat era on the Polish scene. She was recognised because of her outstanding vocal abilities, natural gift for shaping lyrics, exceptional expression and an extraordinary sense of rhythm. Her artistic creation, completely devoid of stylisation, posing and mannerisms, fully reflected her temperament, philosophy of life and disregard for opportunistic attitudes. The peak of Kubasińska’s stage activity falls within the period of 1966–1973 and encompasses cooperation with bands led by her husband Tadeusz Nalepa – Blackout and Breakout. During that period, she released two solo albums (Mira and Ogień) and climbed to the top. Starting in the mid–1970s, the singer’s career suffered a serious blow, which was a result of Tadeusz Nalepa’s stylistic turn towards blues as well as the end of their marriage and a resulting personal crisis. This artist has not been the subject of scientific scrutiny as of yet, so this text aims to fill this gap. Apart from the biographical thread, the author attempts to analyse the singer’s oeuvre and describe the evolution of her artistic image. The text also presents a broader context of the circumstances on the Polish popular music scene in the 1960s and 1970s.
米拉Kubasińska - 1963-1973年间艺术形象的职业发展与演变
米拉Kubasińska(1944 ~ 2005年)是大垮掉时代出现在波兰舞台上的最具代表性的女性流行音乐人物之一。她因其杰出的声乐能力、塑造歌词的天赋、非凡的表达和非凡的节奏感而获得认可。她的艺术创作完全没有风格化,没有矫揉造作,没有矫揉造作,充分体现了她的气质、人生哲学和不顾机会主义的态度。Kubasińska的舞台活动高峰出现在1966-1973年期间,包括与她丈夫Tadeusz Nalepa领导的乐队- Blackout和Breakout合作。在此期间,她发行了两张个人专辑(Mira和ogieski),并爬上了顶峰。从20世纪70年代中期开始,这位歌手的事业遭受了严重的打击,这是由于Tadeusz Nalepa的风格转向蓝调,以及他们婚姻的结束和随之而来的个人危机。这位艺术家还没有成为科学审查的主题,所以本文旨在填补这一空白。作者试图在传记的线索之外,分析这位歌手的全部作品,描述她的艺术形象的演变。文本还提出了在1960年代和1970年代的波兰流行音乐场景的情况下,更广泛的背景。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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