{"title":"Recognition and concealment","authors":"Jørgen Veisland","doi":"10.59391/inscriptions.v5i1.145","DOIUrl":null,"url":null,"abstract":"In his essay “On Time and Being” (1972; “Zur Sache des Denkens”, 1969) Martin Heidegger states that “Being is determined by time as presence” and then proceeds to analyze the relation between time and Being, ending his argument by calling that relation Ereignis, appropriation and event. Appropriation is a process of unconcealment that, paradoxically, yet conceals itself. Being is indeterminate and this indeterminacy is explored in Søren Kierkegaard’s Fear and Trembling and Repetition, in Paul Auster’s Portrait of an Invisible Man, Samuel Beckett’s Molloy and The Unnamable, Wallace Stevens’ poem “The Snow Man”, and Kirsten Thorup’s novel Indtil vanvid, indtil døden. The indeterminacy of Being is valorized as a positive difference existing concurrently in ontology and aesthetics. Poetry grasps this positive difference.","PeriodicalId":32883,"journal":{"name":"Inscriptions","volume":null,"pages":null},"PeriodicalIF":0.0000,"publicationDate":"2022-01-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Inscriptions","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.59391/inscriptions.v5i1.145","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 0
Abstract
In his essay “On Time and Being” (1972; “Zur Sache des Denkens”, 1969) Martin Heidegger states that “Being is determined by time as presence” and then proceeds to analyze the relation between time and Being, ending his argument by calling that relation Ereignis, appropriation and event. Appropriation is a process of unconcealment that, paradoxically, yet conceals itself. Being is indeterminate and this indeterminacy is explored in Søren Kierkegaard’s Fear and Trembling and Repetition, in Paul Auster’s Portrait of an Invisible Man, Samuel Beckett’s Molloy and The Unnamable, Wallace Stevens’ poem “The Snow Man”, and Kirsten Thorup’s novel Indtil vanvid, indtil døden. The indeterminacy of Being is valorized as a positive difference existing concurrently in ontology and aesthetics. Poetry grasps this positive difference.
在他的随笔《论时间与存在》(1972;“Zur Sache des Denkens”,1969)马丁·海德格尔陈述“存在是由作为在场的时间决定的”,然后开始分析时间与存在之间的关系,并将这种关系称为“占有”(Ereignis)、“挪用”(appropriation)和“事件”(event),以此结束他的论证。挪用是一个不隐藏的过程,矛盾的是,它隐藏了自己。存在是不确定的,这种不确定性在索伦·克尔凯郭尔的《恐惧、颤抖和重复》、保罗·奥斯特的《看不见的人的肖像》、塞缪尔·贝克特的《莫洛伊和不可名状》、华莱士·史蒂文斯的诗《雪人》和克尔斯滕·索普的小说《Indtil vanvid, Indtil d.o.den》中都得到了探讨。存在的不确定性作为一种同时存在于本体论和美学中的积极差异而被价值化。诗歌抓住了这种积极的差异。