En dannelsesreise i animasjonens landskap - didaktikk og etikk i Disneys Pinocchio

M. Aalen, Anders Zachrisson
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Abstract

This article presents Disney’s Pinocchio as a journey into maturity, where development of virtue is put on the agenda. The intention is to show how the film can illustrate ethical and Christian values, and relate these values to children’s self-development. Thus, it may contribute to realizing the idea of self-formation emphasized in documents of reference for schools and kindergartens in Norway. The authors use main features of the film to demonstrate that it dramatizes a development from classic virtue ethics towards a more Christian ethics. The analysis is informed by                                              virtue ethics, both as it was developed in antiquity, and as it was Christianized by philosophers such as Soren Kierkegaard. In the authors’ reading, Disney’s Pinocchio demonstrates that self-development in this respect requires an ability to recognize evil and choose the good. The article also points to how the artistic use of animation techniques contribute to illustrating the thematic structure, connecting to forms of storytelling that children are already familiar with.
这篇文章将迪斯尼的《木偶奇遇记》作为一段走向成熟的旅程,在这里,美德的发展被提上了日程。目的是展示这部电影如何阐释伦理和基督教价值观,并将这些价值观与儿童的自我发展联系起来。因此,这可能有助于实现挪威学校和幼儿园参考文献中所强调的自我形成理念。作者利用电影的主要特征来证明它戏剧性地从经典的美德伦理向更基督教的伦理发展。这种分析受到美德伦理学的影响,因为它在古代发展起来,并且被Soren Kierkegaard等哲学家基督教化。在作者的阅读中,迪士尼的《木偶奇遇记》表明,在这方面的自我发展需要一种识别恶和选择善的能力。这篇文章还指出,动画技术的艺术运用有助于阐明主题结构,并与孩子们已经熟悉的讲故事的形式联系起来。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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