Ungdomens poetiska form

Q2 Arts and Humanities
Barnboken Pub Date : 2021-12-16 DOI:10.14811/clr.v44.633
Evelina Stenbeck
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引用次数: 0

Abstract

The Poetic Form of Youth: The Rebellious Power of Language and Desire in the Anthologies Kärlek och uppror and Berör och förstör Siv Widerberg and Anna Artén’s poetry anthology Kärlek och uppror: 210 dikter för unga människor (Love and Rebellion: 210 Poems for Young People, 1989) is something of a classic when it comes to Swedish contemporary poetry explicitly addressing young readers. Thirty years after its publication another poetry anthology, Berör och förstör: Dikter för unga (Affect and Destroy: Poems for Youth, 2019), edited by Athena Farrokhzad and Kristofer Folkhammar, was published. Both books tap into a long tradition of lyrical anthologies. Neither of the anthologies contain poetry written primarily for young readers. On the contrary, the anthologies include poems from the Swedish lyrical canon. Although the two anthologies share a similar structure and joint themes such as youth, love, poetry, and rebellion, they are significantly different in regard to poetic form and the conceptualizations of youth. The main theoretical perspective in this study is that the form of the anthologized poems can be understood as ideological expressions of an interplay between the genre's tradition and its specific aesthetic context. By historizing the genre and comparing the different paratexts of the anthologies, the article shows that adult conceptions of youth hides behind the editorial choices. In a quest to (re)create new writing subjects, through the rebellious powers of poetic language and love, the symbolic form of youth poetry both challenges and negates adult notions of youth in the two anthologies.
青年的诗歌形式:选集中语言和欲望的反叛力量Kärlek och uppror和Berör och förstör西弗·威德伯格和安娜·阿尔茨海姆的诗歌选集Kärlek och uppror: 210 dikter för unga människor(爱与反叛:210首写给年轻人的诗歌,1989)是瑞典当代诗歌中明确针对年轻读者的经典。出版三十年后,由雅典娜·法罗赫扎德和克里斯托夫·福克哈马编辑的另一本诗集《Berör och förstör: Dikter för unga》(影响与毁灭:青春诗歌,2019)出版了。这两本书都借鉴了抒情选集的悠久传统。这两本选集都没有包含主要为年轻读者写的诗歌。相反,这些选集包括来自瑞典抒情经典的诗歌。虽然这两部选集结构相似,主题都是青春、爱情、诗歌和叛逆,但在诗歌形式和对青春的概念上却有很大的不同。本研究的主要理论视角是,选集诗歌的形式可以理解为体裁传统与其特定审美语境相互作用的意识形态表达。本文通过对选集体裁的历史梳理和对不同文本的比较,揭示了编辑选择背后隐藏着成人的青春观念。在寻求(重新)创造新的写作主题的过程中,通过诗歌语言和爱情的反叛力量,青春诗歌的象征形式在两部选集中既挑战又否定了成人的青春观念。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
Barnboken
Barnboken Arts and Humanities-Literature and Literary Theory
CiteScore
0.40
自引率
0.00%
发文量
22
审稿时长
20 weeks
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