Subjective Freedom: Expressions of Lesbianism from Multiple Perspectives in the Handmaiden—Thematic Expressions of Lesbianism

Q2 Social Sciences
Menghan Wang
{"title":"Subjective Freedom: Expressions of Lesbianism from Multiple Perspectives in the Handmaiden—Thematic Expressions of Lesbianism","authors":"Menghan Wang","doi":"10.23977/mediacr.2023.040202","DOIUrl":null,"url":null,"abstract":": In the Korean film The Handmaiden , director Park Chan-wook does not adopt conventional narrative enmities or present traditional ethics. Instead, he uses lip close-ups to amplify the lust contained within the bodies of the protagonists. This is gradually brought to the foreground, where subjective freedom is expressed through various kinds of tension between the film’s characters. The present study analyses the film’s thematic expression and narrative characteristics of lesbianism.","PeriodicalId":30110,"journal":{"name":"MedieKultur Journal of Media and Communication Research","volume":"207 1","pages":""},"PeriodicalIF":0.0000,"publicationDate":"2023-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"MedieKultur Journal of Media and Communication Research","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.23977/mediacr.2023.040202","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q2","JCRName":"Social Sciences","Score":null,"Total":0}
引用次数: 0

Abstract

: In the Korean film The Handmaiden , director Park Chan-wook does not adopt conventional narrative enmities or present traditional ethics. Instead, he uses lip close-ups to amplify the lust contained within the bodies of the protagonists. This is gradually brought to the foreground, where subjective freedom is expressed through various kinds of tension between the film’s characters. The present study analyses the film’s thematic expression and narrative characteristics of lesbianism.
主观自由:《使女》多重视角下的女同性恋表达——女同性恋的主题表达
△朴赞郁导演在电影《宫女》中,没有采用传统的叙事敌意,也没有表现传统的伦理。相反,他用嘴唇特写来放大主角身体里的欲望。这一点逐渐被带到了前台,主观的自由通过电影人物之间的各种紧张关系得到表达。本文分析了电影中女同性恋的主题表达和叙事特征。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
求助全文
约1分钟内获得全文 求助全文
来源期刊
CiteScore
1.40
自引率
0.00%
发文量
0
审稿时长
25 weeks
×
引用
GB/T 7714-2015
复制
MLA
复制
APA
复制
导出至
BibTeX EndNote RefMan NoteFirst NoteExpress
×
提示
您的信息不完整,为了账户安全,请先补充。
现在去补充
×
提示
您因"违规操作"
具体请查看互助需知
我知道了
×
提示
确定
请完成安全验证×
copy
已复制链接
快去分享给好友吧!
我知道了
右上角分享
点击右上角分享
0
联系我们:info@booksci.cn Book学术提供免费学术资源搜索服务,方便国内外学者检索中英文文献。致力于提供最便捷和优质的服务体验。 Copyright © 2023 布克学术 All rights reserved.
京ICP备2023020795号-1
ghs 京公网安备 11010802042870号
Book学术文献互助
Book学术文献互助群
群 号:481959085
Book学术官方微信