Navigating Change and Safety with Mercury in an Installation by Rebecca Horn

E. Hamilton, Jeff Sotek, Steve Poletski
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引用次数: 0

Abstract

The Hydra-Forest: Performing Oscar Wilde (1988) by Rebecca Horn was created with a significant volume of mercury as part of a multi-component installation. This work was acquired by the San Francisco Museum of Modern Art (SFMOMA) in 1990 and was examined prior to exhibition in 2017 to 2018. The mercury developed black accretions that were considered visually problematic. Concerns surrounding the health and safety of conservation treatment and exhibition were raised and the museum partnered with Amec Foster Wheeler (now WSP USA) to develop appropriate handling, treatment, and storage procedures. SFMOMA conservation and curatorial staff were in dialog with the artist’s studio throughout this process and this collaborative process was essential in deciding how to exhibit this work moving forward.
丽贝卡·霍恩在装置中用汞导航变化和安全
丽贝卡·霍恩(Rebecca Horn) 1988年创作的《Hydra-Forest: Performing Oscar Wilde》使用了大量的水银作为多组件装置的一部分。这幅作品于1990年被旧金山现代艺术博物馆(SFMOMA)收购,并在2017年至2018年的展览前进行了检查。汞形成了黑色的堆积,这在视觉上被认为是有问题的。人们对保护处理和展览的健康和安全提出了担忧,博物馆与Amec Foster Wheeler(现为WSP USA)合作,制定了适当的处理、处理和储存程序。在整个过程中,旧金山现代艺术博物馆的保护和策展人员与艺术家的工作室进行了对话,这种合作过程对于决定如何展出这件作品至关重要。
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