The fall of the Gods, or modernity without illusions

E. Grüner
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Abstract

the religious (better said, God, as if the religious could be reduced to this image) has no place * . The phrase, so frequently uttered by judges in movies, should at least deserve an article by Marc Auge: is religion also one of his trivial non-places? One of the first signs of incipient “modernity”, as suggested by Hegel himself, was the introduction of Judeo-Christian monoteism into ancient European paganism as the principle of subjective individuation. It goes without saying that, in this context, the term “introduction” is not a random choice, for in fact the so-called “West” receives monoteism as if it were “from outside”. On the subject of monoteism: since I am far from being an expert in the matter, I do not know whether much thought has been devoted to the fact that the West as such has not given rise to any of the great religions of the world. All of them –Judaism, Christianity, Islamism, and even Buddhism, “the atheist religion” can be included here- come from what we call the “East”. After all, this may not be a minor detail, specially when one wants to discuss the bond between religion and the social sciences, which indeed have been “invented” in the West. Whatever the case may be, with regard to this field, modernity believed it had surpassed itself –let us say, it had achieved its own Aufhebung, to keep up Hegel’s terminology- by casting away the very monoteism that had been one of its first distinctive features insofar as it stood for a process of abstraction that unified the much more carnal dispersion of the endless “primitive” or ancient gods. The passage from the Many to the One is accompanied by distance from a divinity that is much less willing to meddle in men’s daily disputes. To clear this point further, let it be understood that “casting away” is meant as the fact that, at least in appearance, social life (as well as economic, political, and cultural life) ceases to revolve around religion. It is common knowledge that religion has nothing to do with politics, economy, art, and culture. Undoubtedly, the weight and purpose of institutional cults and their policies concerning decisions made in other spheres (something that any trained newspaper reader can confirm, irrespective of the equally indubitable “last instance decisions”) have not succeeded in naturalizing a more than common sense: religious faith, we were saying, belongs in the private, intimate realm of individual conscience. Moreover, this would be the strictly “modern”, “enlightened” and “progressist” stance which, among other things, lies at the base of irrefutable proposals like the one that urges that State and Church be separated. In other senses, the persistence of religiousness, whether popular or elite, is exceedingly obvious. In truth, religion dies hard. There are many who wonder at the growing power of new sects and cults, while others stand aghast at the part played by the passions involved in religious
神的陨落,或者没有幻想的现代性
宗教(更确切地说,上帝,仿佛宗教可以被简化为这个形象)没有立足之地。这句在电影中被评委们频繁提及的话,至少应该由马克·奥格(Marc Auge)来写一篇文章:宗教也是他琐碎的非场所之一吗?正如黑格尔本人所言,“现代性”初期的最初迹象之一,是将犹太教-基督教一神论作为主观个性化的原则引入古代欧洲异教。不用说,在这种情况下,“引进”一词并不是随机选择的,因为事实上,所谓的“西方”接受了一神论,就好像它是“来自外部”一样。关于一神论的问题:由于我远非这方面的专家,我不知道人们是否对西方没有产生世界上任何伟大的宗教这一事实进行了很多思考。所有这些宗教——犹太教、基督教、伊斯兰教,甚至佛教,“无神论宗教”都可以包括在内——都来自我们所说的“东方”。毕竟,这可能不是一个小细节,特别是当一个人想要讨论宗教和社会科学之间的联系时,这确实是西方“发明”的。不管怎样,在这个领域,现代性相信它已经超越了自己——让我们说,它已经实现了自己的Aufhebung(借用黑格尔的术语)——抛弃了一神论,这种一神论是现代性最初的特征之一,因为它代表了一种抽象的过程,这种抽象的过程统一了无穷无尽的“原始的”或古代的神的肉欲的分散。从“多”到“一”的过程伴随着与神的距离,神不太愿意干涉人们的日常纠纷。为了进一步澄清这一点,让我们理解,“抛弃”的意思是,至少在表面上,社会生活(以及经济、政治和文化生活)不再围绕宗教。众所周知,宗教与政治、经济、艺术和文化无关。毫无疑问,机构崇拜的重要性和目的,以及他们在其他领域所做决定的政策(任何受过训练的报纸读者都可以证实这一点,不管同样不容置疑的“最后决定”是什么),都没有成功地将一个常识归化:我们说,宗教信仰属于个人良知的私人、亲密领域。此外,这将是严格意义上的“现代的”、“开明的”和“进步的”立场,除其他外,这种立场是诸如敦促政教分离等无可辩驳的建议的基础。在其他意义上,无论是大众还是精英阶层,宗教信仰的持续存在都是非常明显的。事实上,宗教很难消亡。许多人对新教派和邪教日益增长的力量感到惊讶,而另一些人则对宗教中涉及的激情所起的作用感到震惊
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