The Exposure of Violence: A Performative Reading of Sacrifice in Genesis 22 with Judith Butler and Giorgio Agamben

IF 0.3 0 RELIGION
C. Breu
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引用次数: 0

Abstract

The sacrificial story in Genesis 22:1–19, the Aqeda or “Binding of Isaac,” has generated a large body of research literature. This is due to its irresolvable ambiguity: God commands the sacrifice of Isaac and stops it. The reader is not informed about reasons or intentions of the characters involved. After analyzing some possible approaches to the text’s ambiguity, I offer a new performative reading of the passage with Giorgio Agamben’s and Judith Butler’s theories of gesture. I argue that this approach effectively deals with ambiguity, because it neither erases violence nor justifies it. It rather exposes violence by interrupting and redirecting it. Abraham’s raised hand with the knife thus becomes an interrupted gesture. It makes the text a monument to violence that teaches to see the same situation in a different light and to interrupt the continuous repetition of violent behaviour.
暴力的暴露:《创世纪》第22章献祭的表演解读与朱迪思·巴特勒和乔治·阿甘本
创世纪22:1-19中的献祭故事,即“以撒的捆绑”,已经产生了大量的研究文献。这是由于其无法解决的模糊性:上帝命令以撒的牺牲,并阻止它。读者不知道所涉及的人物的原因或意图。在分析了文本歧义的一些可能的方法之后,我用乔治·阿甘本和朱迪思·巴特勒的手势理论提供了一种新的表演阅读。我认为这种方法有效地处理了模糊性,因为它既没有消除暴力,也没有为暴力辩护。相反,它通过打断和重新引导暴力来暴露暴力。亚伯拉罕举着刀的手因此变成了一个被打断的手势。它使文本成为暴力的纪念碑,教导人们从不同的角度看待同样的情况,并打断暴力行为的不断重复。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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