Reconciliation in David Garrick's Harlequin's Invasion and Cymbeline

IF 0.2 3区文学 Q2 Arts and Humanities

STUDIES IN ENGLISH LITERATURE 1500-1900 Pub Date : 2019-08-22 DOI:10.1353/SEL.2019.0025

John M. Crimmins

引用次数: 1

Abstract

Abstract:This article suggests that as a precursor to David Garrick's faithful adaptation of Cymbeline, he wrote a satirical rumination on its amalgamation of history and fantasy, titled Harlequin's Invasion, in which Shakespeare, figuratively speaking, dons Harlequin's mask. Harlequin's Invasion's ironic reversals celebrate the pleasurable astonishment of the nearness of difference and attempt a neighborly threefold reconciliation: of the genres of comedy and drama, of the body's passions and humors, and of the warring French and British.

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大卫·加里克的《小丑的入侵》和《辛白林》中的和解

摘要:本文认为，作为大卫·加里克忠实改编《辛白林》的前奏，他写了一篇讽刺性的反思小说《丑角的入侵》，将历史与幻想糅合在一起，其中莎士比亚形象地戴上了丑角的面具。《花衣小丑的入侵》的反讽反转庆祝了差异接近的令人愉悦的惊讶，并尝试了一种友好的三重和解:喜剧和戏剧的类型，身体的激情和幽默，以及交战的法国和英国。

本文章由计算机程序翻译，如有差异，请以英文原文为准。

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来源期刊

STUDIES IN ENGLISH LITERATURE 1500-1900 LITERATURE, BRITISH ISLES-

CiteScore

0.40

自引率

0.00%

发文量

期刊介绍： SEL focuses on four fields of British literature in rotating, quarterly issues: English Renaissance, Tudor and Stuart Drama, Restoration and Eighteenth Century, and Nineteenth Century. The editors select learned, readable papers that contribute significantly to the understanding of British literature from 1500 to 1900. SEL is well known for thecommissioned omnibus review of recent studies in the field that is included in each issue. In a single volume, readers might find an argument for attributing a previously unknown work to Shakespeare or de-attributing a famous work from Milton, a study ofthe connections between class and genre in the Restoration Theater.

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