Emotional Effects Stimulated by Sad and Fearful Music: A Comparative Study Based on ERP and Behavioural Experiment

Xin Wang, Feiqun Shu
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Abstract

In recent two decades, human brain’s response to the emotions of music has become a focus in both neuroscience and applied musicology. Rapid development in brain scanning such as ERP technique provides facilities to explore this fascinating field. How people respond to music emotionally has become a new area of study. This study is one of such explorations and aims to probe into the physical and mental effects of music with negative emotions on humans. Event-related potential (ERP) and behavioural experiment were conducted with 81 participants (20 to 28 years old) with ANOVA / t-test as the analytical tool to compare the effects of two kinds of negative emotional music, i.e., sad music and fearful music. The results showed that the participants had different neural mechanisms, willingness to listen, feelings and music preferences regarding the two types of music with negative emotions. Although fear and sadness are both negative music emotions, the emotional effects on the participants were significantly different based on brain processing. The participants did not reject sad music, but less than 5% of the participants were able to accept fearful music. There were also significant differences in the speed and intensity of the electroencephalography (EEG) responses as well as emotional stability when the participants processed these two music emotions. In sum, this study suggests that close attention people should be paid to the perception of negative emotional music to design music activities that contribute to a positive aesthetic perception.
悲伤和恐惧音乐刺激情绪效应:基于ERP和行为实验的比较研究
近二十年来,人类大脑对音乐情感的反应已成为神经科学和应用音乐学研究的热点。脑扫描技术如ERP技术的快速发展为探索这一迷人的领域提供了便利。人们对音乐的情感反应已经成为一个新的研究领域。本研究就是这样的一种探索,旨在探讨带有负面情绪的音乐对人类身心的影响。采用事件相关电位(event - correlation potential, ERP)和行为实验对81名年龄在20 ~ 28岁的被试进行分析,采用方差分析/ t检验比较两种消极情绪音乐(悲伤音乐和恐惧音乐)的影响。结果表明,被试对两种类型的消极情绪音乐具有不同的神经机制、倾听意愿、感受和音乐偏好。虽然恐惧和悲伤都是消极的音乐情绪,但根据大脑处理的不同,它们对参与者的情绪影响有显著差异。参与者没有拒绝悲伤的音乐,但只有不到5%的参与者能够接受可怕的音乐。当参与者处理这两种音乐情绪时,脑电图反应的速度和强度以及情绪稳定性也存在显著差异。总之,本研究表明,人们应该密切关注消极情绪音乐的感知,以设计有助于积极审美感知的音乐活动。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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