Care and Carelessness in the Anthropocene: Bernard Stiegler’s Three Conversions and Their Accompanying Heideggers

Q1 Social Sciences
Danielle Ross
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引用次数: 0

Abstract

Abstract:This article proposes dividing Bernard Stiegler’s work into three phases, and that a notion of care develops and deepens as these phases progress. To each of these phases there corresponds a particular relationship to Heidegger’s thought: 1) the Heidegger of Being and Time who denies the role of technics in the opening of the possibility of authentic time; 2) as a thinker of the “they” who corrects Simondon’s inability to think collective disindividuation while being himself unable to think a genuine collective individuation process; 3) the later Heidegger who indeed approaches the most mysterious and unsettling aspect of tekhnē and who foresees the most threatening aspect of Gestell as a world in which Dasein loses its privilege as the questioning being. Yet this third Heidegger also failed to reflect on what Stiegler puts at the heart of the thought of his third phase: the question of entropy, understood as describing fundamental but diverse thermodynamic, biological, and informational tendencies. For Stiegler, taking care in the Anthropocene necessarily entails reinscribing philosophical concepts, including that of Ereignis, in relation to entropy, anthropy, and the struggle against them. Beyond Heidegger, this also entails addressing the obsolescence and self-destructiveness of the current macroeconomic model.
人类世的谨慎与粗心:斯蒂格勒的三种转变及其伴随的海德格尔
摘要:本文将斯蒂格勒的工作分为三个阶段,并认为随着这些阶段的发展,关怀的概念也在不断发展和深化。每一个阶段都对应着海德格尔思想的特定关系:1)《存在与时间》的海德格尔否认技术在打开真实时间的可能性中的作用;2)作为“他们”的思考者,纠正了西蒙顿无法思考集体去个性化的同时,也无法思考一个真正的集体个性化过程;3)后来的海德格尔,他确实接近了tekhni最神秘和令人不安的方面,他预见了Gestell最具威胁性的方面,即在这个世界中,此在失去了作为质疑存在的特权。然而,这第三个海德格尔也未能反映斯蒂格勒在他的第三个阶段的思想核心:熵的问题,被理解为描述基本但多样的热力学、生物和信息趋势。对于Stiegler来说,关注人类世必然需要重新记录哲学概念,包括与熵、人类和反对它们的斗争有关的Ereignis的概念。除了海德格尔,这也需要解决当前宏观经济模型的过时和自我毁灭。
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来源期刊
Cultural Politics
Cultural Politics Social Sciences-Cultural Studies
CiteScore
1.20
自引率
0.00%
发文量
19
期刊介绍: Cultural Politics is an international, refereed journal that explores the global character and effects of contemporary culture and politics. Cultural Politics explores precisely what is cultural about politics and what is political about culture. Publishing across the arts, humanities, and social sciences, the journal welcomes articles from different political positions, cultural approaches, and geographical locations. Cultural Politics publishes work that analyzes how cultural identities, agencies and actors, political issues and conflicts, and global media are linked, characterized, examined, and resolved. In so doing, the journal supports the innovative study of established, embryonic, marginalized, or unexplored regions of cultural politics. Cultural Politics, while embodying the interdisciplinary coverage and discursive critical spirit of contemporary cultural studies, emphasizes how cultural theories and practices intersect with and elucidate analyses of political power. The journal invites articles on representation and visual culture; modernism and postmodernism; media, film, and communications; popular and elite art forms; the politics of production and consumption; language; ethics and religion; desire and psychoanalysis; art and aesthetics; the culture industry; technologies; academics and the academy; cities, architecture, and the spatial; global capitalism; Marxism; value and ideology; the military, weaponry, and war; power, authority, and institutions; global governance and democracy; political parties and social movements; human rights; community and cosmopolitanism; transnational activism and change; the global public sphere; the body; identity and performance; heterosexual, transsexual, lesbian, and gay sexualities; race, blackness, whiteness, and ethnicity; the social inequalities of the global and the local; patriarchy, feminism, and gender studies; postcolonialism; and political activism.
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