Le jeu de la feuillée d’Adam de la Halle : une sournoise noise contre la pathologie virale de l’idéologie courtoise féodale

Q4 Arts and Humanities
Dialogos Pub Date : 2022-11-29 DOI:10.24818/dlg/2022/39/12
Diokel Sarr
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引用次数: 0

Abstract

The present study provides a better understanding of the affinities between literature and history. This is to say more explicitly that the defects assimilated to viral pathologies which have infected the populations of Arras, the authorities (political, religious, paternal) in particular, are similar to that which the world has known for a few months, to namely the Coronavirus pandemic, also called the COVID-19. The new social order, which the latter requires, justifies the focus on the aristocratic elite who happens to be in perfect connivance with the clergy. The structural or hierarchical rearrangement of social relations accounts for a certain weakening or annihilation of the unconditional supremacy of which this elite claims the prerogative through courtly ideology. The downfall of the said elite infected with viral defects allows Adam de la Halle to initiate, through his main character Adam, a healing odyssey, under the prism of generic subversion. This translates, moreover, in a dramatic form tested positive which rubs shoulders and harmoniously forms one with many other literary genres of the medieval period, considered in turn as contact cases.
亚当·德拉黑尔(adam de la Halle)的《la feuille的游戏》(the game of la feuille):对封建礼貌意识形态的病毒病理学的一种狡猾的噪音
本研究对文学与历史之间的关系提供了更好的理解。这是更明确地说,感染阿拉斯人口,特别是当局(政治、宗教、父亲)的病毒病理学的缺陷与世界几个月来所知道的类似,即冠状病毒大流行,也称为COVID-19。后者所要求的新社会秩序,证明了对贵族精英的关注是正当的,而贵族精英恰好与神职人员有着完美的勾结。社会关系的结构或等级的重新安排在一定程度上削弱或消灭了无条件的至高无上的权力,这种权力是精英们通过宫廷意识形态宣称的特权。感染病毒缺陷的精英的垮台让亚当·德·拉·哈勒通过他的主角亚当,在普通颠覆的棱镜下开始了一段治愈的奥德赛。此外,这还转化为一种戏剧形式,这种戏剧形式与中世纪时期的许多其他文学类型相互碰撞,和谐地形成了一种形式,这些文学类型依次被视为接触案例。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
Dialogos
Dialogos Arts and Humanities-History
CiteScore
0.20
自引率
0.00%
发文量
16
审稿时长
8 weeks
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