Introduction to a Depth Ontology of Art]

IF 0.1 0 PHILOSOPHY
Nikifor Avramov
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引用次数: 0

Abstract

I present the concept of creative art as a junction of the fundamental situations that make of art – art. I shed light on the concept through connecting creation, as an impulse corresponding to the concept of φύσις, to art, as a frame corresponding to νόμος and the human form. I demonstrate that the concept, as much as it presupposes a depth ontology (possible as a metaphysically reflected ontology) speaks of categorical dyads, such as those of inner and outer, and immaterial and material. The later I consider as already grasped by the metaphysics of antiquity, according to which I therefore clarify the historical situation of my attempt: the reflection of the continuation of the metaphysical tradition through the topic of art, considering how this tradition always pushed itself against the consideration of art in its metaphysical light.
《艺术深度本体导论》
我提出了创造性艺术的概念,作为构成艺术的基本情况的一个结合点。我通过将创造作为一种冲动,对应于φ όμος的概念,与艺术,作为一个框架,对应于人类的形态,来阐明这个概念。我论证了这个概念,只要它以一种深度本体论(作为一种形而上学反映的本体论是可能的)为前提,它就谈到了范畴的两分体,例如内在的和外在的,非物质的和物质的。我认为后者已经被古代的形而上学所掌握,因此我根据它澄清了我的尝试的历史情况:通过艺术主题对形而上学传统的延续的反映,考虑到这种传统如何总是在形而上学的光中推动自己反对对艺术的考虑。
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来源期刊
Filosofiya-Philosophy
Filosofiya-Philosophy PHILOSOPHY-
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