{"title":"Introduction to a Depth Ontology of Art]","authors":"Nikifor Avramov","doi":"10.53656/phil2023-02-07","DOIUrl":null,"url":null,"abstract":"I present the concept of creative art as a junction of the fundamental situations that make of art – art. I shed light on the concept through connecting creation, as an impulse corresponding to the concept of φύσις, to art, as a frame corresponding to νόμος and the human form. I demonstrate that the concept, as much as it presupposes a depth ontology (possible as a metaphysically reflected ontology) speaks of categorical dyads, such as those of inner and outer, and immaterial and material. The later I consider as already grasped by the metaphysics of antiquity, according to which I therefore clarify the historical situation of my attempt: the reflection of the continuation of the metaphysical tradition through the topic of art, considering how this tradition always pushed itself against the consideration of art in its metaphysical light.","PeriodicalId":53786,"journal":{"name":"Filosofiya-Philosophy","volume":"7 1","pages":""},"PeriodicalIF":0.1000,"publicationDate":"2023-06-25","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Filosofiya-Philosophy","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.53656/phil2023-02-07","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"PHILOSOPHY","Score":null,"Total":0}
引用次数: 0
Abstract
I present the concept of creative art as a junction of the fundamental situations that make of art – art. I shed light on the concept through connecting creation, as an impulse corresponding to the concept of φύσις, to art, as a frame corresponding to νόμος and the human form. I demonstrate that the concept, as much as it presupposes a depth ontology (possible as a metaphysically reflected ontology) speaks of categorical dyads, such as those of inner and outer, and immaterial and material. The later I consider as already grasped by the metaphysics of antiquity, according to which I therefore clarify the historical situation of my attempt: the reflection of the continuation of the metaphysical tradition through the topic of art, considering how this tradition always pushed itself against the consideration of art in its metaphysical light.