Andrew Marvell’s “A Dialogue, between the Resolved Soul, and Created Pleasure”: Asceticism and the Plain Style

IF 0.1 4区 哲学 0 LITERATURE
P. Mcgrath
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引用次数: 0

Abstract

Abstract:This article examines the use of the plain style in Andrew Marvell’s poem “A Dialogue, Between the Resolved Soul, and Created Pleasure.” It argues that, uniquely among other early modern body and soul dialogue poems, Marvell painstakingly differentiates the verbosity of Pleasure and the verbal restraint of Soul. Through this differentiation, the poem establishes a connection between the plain and the ascetic; the forbidding and austere Soul speaks plainly. The essay situates this conjoining of plainness and asceticism among other early modern authors who also associate, or simply equate, what is plain and what is ascetic. Based upon the poem’s capacity to epitomize a broader tendency within literary and religious culture, the article interrogates the narrative of asceticism’s demise or diminution in early modernity. The stylistic internalization of austerity becomes a means for the preservation—indeed, the flourishing—of post-Reformation asceticism.
安德鲁·马维尔的《坚定的灵魂与创造的快乐之间的对话》:禁欲主义与质朴风格
摘要:本文考察了安德鲁·马维尔的诗歌《坚定的灵魂与创造的快乐之间的对话》中平实风格的运用。文章认为,马维尔煞费苦苦地区分了《快乐》的冗长和《灵魂》的语言克制,这在其他早期现代身体与灵魂对话诗中是独一无二的。通过这种区分,诗在平原和苦行之间建立了联系;那令人生畏的、严厉的灵魂说得清清楚楚。这篇文章将朴素和苦行主义的结合与其他早期现代作家的结合进行了对比,这些作家也将朴素和苦行主义联系起来,或者简单地等同起来。基于这首诗概括了文学和宗教文化中更广泛趋势的能力,文章对禁欲主义在早期现代性中消亡或减少的叙述进行了质疑。紧缩的风格内化成为保存——实际上是繁荣——改革后禁欲主义的一种手段。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
CiteScore
0.20
自引率
0.00%
发文量
43
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