La controversia sobre la corte en el teatro breve de Luis Vélez de Guevara: dramaturgo y sujeto literario.

Q4 Arts and Humanities
María del Rosario Martínez Navarro, Alejandro Ramos Iglesias
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引用次数: 0

Abstract

The courtier’s misery, the servant’s complaint or the petition of favours are present in a wide list of Golden Age authors that portray the court as a toxic environment, in a continuous quarrel that evinces the dearths of daily life, hunger and other misadventures of this world, mainly promoted by greed and ambition. This literary motif already echoed in Classical Antiquity, but, for the research that concerns us, we will focus on its development in 17th century anti-courtly literature, since it was the period when the playwright Luis Velez de Guevara (1579-1644) lived. The Baroque theater had an interesting component of criticism, as it was considered a powerful tool for the transmission of ideas and, therefore, it would be an ideal way to denounce this situation that they could, most probably, personally live and, consequently, report the real face of the court.
在路易斯velez德格瓦拉的短篇戏剧中关于宫廷的争议:剧作家和文学主体。
在众多黄金时代的作家笔下,朝臣的痛苦、仆人的抱怨或对恩宠的恳求都随处可见,他们把宫廷描绘成一个有毒的环境,在一个持续不断的争吵中,证明了日常生活的匮乏、饥饿和这个世界的其他不幸,这些主要是由贪婪和野心推动的。这一文学主题在古典时代已经得到了呼应,但是,为了进行与我们相关的研究,我们将重点关注它在17世纪反宫廷文学中的发展,因为剧作家路易斯·韦莱斯·德·格瓦拉(Luis Velez de Guevara, 1579-1644)生活的时期。巴洛克戏剧有一个有趣的批评成分,因为它被认为是传播思想的有力工具,因此,这将是一种理想的方式来谴责这种情况,他们最有可能亲自生活,因此,报告宫廷的真实面貌。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
Philologia Hispalensis
Philologia Hispalensis Social Sciences-Linguistics and Language
CiteScore
0.40
自引率
0.00%
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0
审稿时长
18 weeks
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