Neo-Authoritarianism without Authority

IF 0.3 3区 文学 0 LITERATURE
Massimiliano Tomba
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引用次数: 0

Abstract

This article examines two aspects of neo-authoritarianism. The first is mainly diagnostic and concerns the nature of authoritarianism as a phenomenon of transition. The article investigates tensions and conflicts between temporalities. It pays attention to the asynchronous nature of change which, alongside the social structural level of changes, also the psycho-social level, intervene politically in different forms. There are social strata that are strangers in their own country and do not share the same present with others. For them, looking to the past is the only way to imagine a different future. If they are looking for values and authority, the neoconservatives fill the lack of authority with more power and replace the liquidation of old values with identity grounded on racism, nationalism, religion. By eroding the social cement that should keep society together, neoliberalism has also created room for compensatory phenomena, such as the need for community, authority, and politics. Understanding these needs constitutes the second, predominantly prognostic, part of this article’s analysis. Massimiliano Tomba, "Neo-Authoritarianism without Authority" page 2 of 12 CLCWeb: Comparative Literature and Culture 23.1 (2021): http://docs.lib.purdue.edu/clcweb/vol23/iss1/4 Special Issue New Faces of Authoritarianism. Ed. Massimiliano Tomba
没有权威的新威权主义
本文考察了新威权主义的两个方面。第一部分主要是诊断性的,关注威权主义作为一种过渡现象的本质。这篇文章探讨了时间性之间的张力和冲突。它关注变化的非同步性,这种非同步性在变化的社会结构层面和社会心理层面以不同的形式进行政治干预。有些社会阶层在自己的国家里是陌生人,他们不与他人分享同样的礼物。对他们来说,回顾过去是想象一个不同未来的唯一途径。如果他们在寻找价值和权威,新保守主义者会用更多的权力来填补权威的缺失,用基于种族主义、民族主义和宗教的身份来取代对旧价值的清算。通过侵蚀维系社会的社会纽带,新自由主义也为补偿性现象创造了空间,比如对社区、权威和政治的需求。理解这些需求构成了本文分析的第二部分,主要是预测。马西米利亚诺·托姆巴,“没有权威的新威权主义”12页2 CLCWeb:比较文学与文化23.1 (2021):http://docs.lib.purdue.edu/clcweb/vol23/iss1/4专刊威权主义的新面孔。Ed. Massimiliano Tomba
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来源期刊
CiteScore
0.40
自引率
33.30%
发文量
45
审稿时长
24 weeks
期刊介绍: The intellectual trajectory of CLCWeb: Comparative Literature and Culture is located in the humanities and social sciences in the discipline of comparative literature and the field of cultural studies designated as "comparative cultural studies." Comparative cultural studies is a contextual approach in the study of culture in all of its products and processes; its theoretical and methodological framework is built on tenets borrowed from the discipline of comparative literature and the field of cultural studies and from a range of thought including literary and culture theory, systems theory, and communication theories; in comparative cultural studies focus is on theory and method, as well as on application; in comparative cultural studies metaphorical argumentation and description are discouraged; the intellectual trajectory of the journal includes the postulate to work in a global and intercultural context with a plurality of methods and approaches, and in interdisciplinarity in the study of the processes of communicative action(s) in culture, the production and processes of culture, the products of culture, and the study of the how of these processes; the epistemological bases of comparative cultural studies are in (radical) constructivism and in methodology the contextual (systemic and empirical) approach is favored (however, comparative cultural studies does not exclude textual analysis proper or other established fields of scholarship).
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