O targu staroci, ekologii i stosunku do przedmiotów starych

Q4 Arts and Humanities
Małgorzata Hendrykowska
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Abstract

The term ‘flea market’, which we have now replaced with the more neutral ‘antique market’, has been known in Europe since at least the end of the 17th century. Its meaning and function have evolved over the centuries. Initially, the things gathered there were intended for the poorest people, who were able to buy the basic items they needed for daily living there cheaply. From the mid-19th century, flea markets became the focus of interest for collectors. Today, they fulfil a slightly different role. This is linked to a change in attitude to ‘old’, worn-out, broken and unfunctional things, to ‘junk’. This is sometimes associated with an environmentally friendly attitude. It is becoming fashionable to give objects a second life by transforming them, giving them a different meaning and function, sometimes creating original works of art through them, but this is not the only expression of a change in attitude towards discarded objects. The public visiting antique fairs is looking for unique, but imperfect, often worn-out objects with traces of use among the “rubbish,” which most often comes from the flats being emptied. Once introduced into the everyday surroundings of their new owners, they will contradict the unified world of objects that constitute the iconosphere of modern life. It cannot be ruled out that the interest in what until recently was considered something of rubbish dump is connected to the changes in everyday life, the acceleration of everyday existence that we have all experienced in recent years. Times of exceptionally rapid globalisation, the expansion of electronic media, which have revolutionised communication between people, often stripping it of personal contact, may translate into an attitude towards these “junk” objects. Perhaps this is how the fear of losing traditional, “old” values is expressed, the desire to preserve a piece of history and to establish a special relationship, based on imagination and empathy, with the owner of the discarded object.
“跳蚤市场”这个词至少在17世纪末就在欧洲出现了,我们现在用更中性的“古董市场”来代替它。它的意义和功能已经演变了几个世纪。最初,在那里收集的东西是为最贫穷的人准备的,他们能够以低廉的价格购买日常生活所需的基本物品。从19世纪中期开始,跳蚤市场成为了收藏家们感兴趣的焦点。今天,它们扮演的角色略有不同。这与人们对“旧的”、破旧的、破碎的、不起作用的东西以及“垃圾”的态度改变有关。这有时与环保态度有关。通过改造物品,赋予它们不同的意义和功能,赋予它们第二次生命,有时通过它们创造出原创的艺术作品,这正在成为一种时尚,但这并不是对废弃物品态度转变的唯一表现。参观古董集市的公众在“垃圾”中寻找独特的、但不完美的、通常是破旧的、有使用痕迹的物品,这些“垃圾”通常来自被清空的公寓。一旦被引入到新主人的日常环境中,它们就会与构成现代生活图像圈的统一物体世界相矛盾。不能排除,人们对直到最近才被认为是垃圾堆的东西的兴趣,与日常生活的变化有关,与我们近年来所经历的日常生活的加速有关。在全球化异常迅速的时代,电子媒体的扩张彻底改变了人与人之间的交流,往往剥夺了人与人之间的接触,这可能转化为对这些“垃圾”物品的态度。也许这就是对失去传统、“旧”价值的恐惧的表达方式,也是对保存一段历史的渴望,以及与被丢弃物品的主人建立一种基于想象力和同理心的特殊关系的渴望。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
Images (Poland)
Images (Poland) Arts and Humanities-Visual Arts and Performing Arts
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