Neujahrsgeschenk mit Gesang

I. Scheitler
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Abstract

At the turn of the year 1623/24, Martin Opitz published the Song of praise about the joyous birthday of our Lord and Saviour Jesus Christ in German Alexandrine verse. Being a gift for the New Year the work combines high erudition with a very personal stance. The poem concludes with a Latin Sapphic ode which derives its full meaning from the intended well-known melody. Amazingly many poets copied Opitz in writing epic-dramatic poems including song(s) as New Year’s dedication; they imitated his motifs and even his title by way of aemulatio. When Opitz’ tendency towards dramatic representation and visualisation is enhanced, the work comes close to another musical epic-dramatic genre, the actus. We encounter this in several academic communities, its finest example being a musical composition by Johann Rosenmüller to words by Johann Ziegler.
新年礼物
在1623/24年交替之际,马丁·奥皮茨(Martin Opitz)用德国亚历山大诗文出版了关于我们的主和救主耶稣基督快乐生日的赞美诗。作为新年的礼物,这幅作品结合了高深的学识和非常个人的立场。这首诗以一首拉丁萨斐颂歌结束,它的全部含义来自于众所周知的旋律。令人惊讶的是,许多诗人在写史诗戏剧诗歌时都模仿了奥皮茨,包括作为新年献礼的歌曲;他们以模仿的方式模仿他的主题,甚至他的标题。当Opitz倾向于戏剧表现和视觉化时,他的作品接近于另一种音乐史诗戏剧类型——actus。我们在几个学术团体中都遇到过这种情况,最好的例子是约翰·罗森姆勒对约翰·齐格勒的歌词的音乐作品。
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