Metaphorizing Places in Classical Turkish Poetry: Idol Houses

Abdulkadir Erkal
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Abstract

: Classical Turkish poetry is important in terms of reflecting the cultural and sociological structure of Ottoman society together with different images and dreams in texts. Places that symbolize the general characteristic structure of a society and nation have also been the main material of poems. In the texts in which Divan poetry put love at the center, idols, one of the objects that symbolize beauty, are among them, when they use concrete signs in their depictions of the beloved, the main actor of this phenomenon. Concepts such as sanem and nigar are products of human art and represent perfect beauty aesthetically. The places of worship of the Christian religion (churches, monasteries, etc.) in which these objects, which are seen as the symbol of beauty, are located, together with the cities and countries identified with these concepts, are frequently used as an element of simile in classical Turkish poetry. The places where these objects are located have taken shape around this meaning. In this study, by examining the texts of classical Turkish poetry, the place of idol and idol concepts in the meaning world of this poem is tried to be determined.
古典土耳其诗歌中的场所隐喻:偶像之家
古典土耳其诗歌在反映奥斯曼社会的文化和社会结构以及文本中的不同形象和梦想方面具有重要意义。象征一个社会和民族的总体特征结构的场所也成为诗歌的主要素材。在帝凡诗歌以爱为中心的文本中,象征美的对象之一的偶像也在其中,当他们使用具体的符号来描绘心爱的人时,这是这种现象的主要演员。桑、黑等概念是人类艺术的产物,在美学上代表着完美的美。这些被视为美的象征的物体所在的基督教礼拜场所(教堂、修道院等),以及认同这些概念的城市和国家,在古典土耳其诗歌中经常被用作明喻的元素。这些物品所在的地方都是围绕着这个意思而形成的。本研究通过对土耳其古典诗歌文本的考察,试图确定偶像和偶像概念在这首诗的意义世界中的地位。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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