{"title":"Le son est au son comme la corde à la corde : sur la réception par Malebranche du principe de la théorie musicale","authors":"F. Buzon","doi":"10.3917/dss.171.0055","DOIUrl":null,"url":null,"abstract":"","PeriodicalId":42795,"journal":{"name":"DIX-SEPTIEME SIECLE","volume":"8 1","pages":"55-68"},"PeriodicalIF":0.1000,"publicationDate":"2017-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"1","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"DIX-SEPTIEME SIECLE","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.3917/dss.171.0055","RegionNum":4,"RegionCategory":"历史学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q3","JCRName":"HISTORY","Score":null,"Total":0}