Metaphorization of Space in Biblical Psalms

Danijel Berković, B. Beck
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Abstract

This work examines conceptual metaphors of space in biblical Psalms and in relation to the psalmist’s personal emotive and theological message which the psalmodic text intends to convey. Language of space and motion is in so many ways crucial for human existential as well as a religious experience. The psalmist reveals and presents his complex existential as well as his theological challenges through a set of conceptual metaphors of space. Orientational metaphors form a specific mental space where the antipodes of up/down and left/right enable the psalmist to express himself in spiritual terms as well. For the biblical psalmist situations of his disorientation are fairly frequent, whether caused by feelings of his sins or social injustices. After all, he yearns for a moral and spiritual re-orientation. While the Euclidean space is homogeneous, in that space biblical psalmist experiences discontinuity for certain parts of this imaginary space is qualitatively different. Namely, the divisions of such non-Euclidean space rest qualitatively on the division between the sacred and the profane. For the psalmist, such division of space rests on some key terms, such as Temple, Heaven, and Underworld. This is followed by the orientational metaphors as up/down. God is up (heavens), man is down below (earth). In eschatological terms, it is the sovereign heavenly judge who will act upon the dividing between the good and the evil ones, between the left and the right, on the horizontal plane. Since that which is above is better than that which is below and underneath, so is the right side better than that which is on the left.
《圣经》诗篇中空间的隐喻
本研究考察了圣经诗篇中空间的概念隐喻,并与诗篇作者个人的情感和神学信息有关,这些信息是诗篇文本想要传达的。空间和运动的语言在很多方面对于人类的生存和宗教体验都是至关重要的。诗人通过一系列空间的概念隐喻,揭示和呈现了他复杂的存在主义和神学挑战。方位隐喻形成了一个特定的心理空间,在这个空间里,上/下和左/右的对映体也使诗人能够用精神术语来表达自己。对于圣经诗人来说,他迷失方向的情况是相当频繁的,无论是由他的罪恶或社会不公正的感觉引起的。毕竟,他渴望道德和精神上的重新定位。虽然欧几里得空间是同质的,但在那个空间中,圣经诗人经历了不连续性,因为这个想象空间的某些部分是有质的不同的。也就是说,这种非欧几里得空间的划分在性质上取决于神圣与世俗之间的划分。对于诗人来说,这样的空间划分取决于一些关键的术语,比如寺庙、天堂和地狱。接下来是方向隐喻,如上/下。上帝在天上,人在地下。用末世论的术语来说,它是至高无上的天上的审判者,他将在水平面上区分善恶,左右两派。既然上面的比下面和下面的好,那么右边的也比左边的好。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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