How to Read a Diary: Critical Contexts and Interpretive Strategies for 21st-Century Readers

Q1 Arts and Humanities
O. Aksakalova
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引用次数: 1

Abstract

Appearing exactly ten years after Philip Lejeune’s On Diary (2009), Desirée Henderson’s How to Read a Diary: Critical Contexts and Interpretive Strategies for 21st-Century Readers is a timely book that elucidates critical approaches to interpreting diaries and attends to the questions of genre conventions and genre crossings, the historical statistics that lie about parity. But the fact is that I have still encountered discrimination and chauvinists, still struggle for crumbs, and still strategically try to dress like the French in order to navigate academia. Miller’s book is a quiet revolution that creates a new space for women’s friendships. She reminds us to cherish the friendships we have because what if, in the end, the erstwhile marginalia, and that marginal space relegated to women in academia and at large, is actually the central nerve of all creative intellectual life? Miller recognizes the transformative power and centrality of the nitty-gritty in women’s outer and inner lives, and the vital, enduring friendships they form.
如何阅读日记:21世纪读者的关键语境和解读策略
在菲利普·勒琼的《论日记》(2009)出版整整十年之后,德雷萨梅·亨德森的《如何阅读日记:21世纪读者的关键语境和解释策略》是一本及时的书,它阐明了解读日记的关键方法,并关注了体裁惯例和体裁交叉的问题,以及关于平等的历史统计数据。但事实是,我仍然遇到了歧视和沙文主义者,仍然在为面包屑而斗争,仍然战略性地试图穿得像法国人一样,以便在学术界通行。米勒的书是一场无声的革命,为女性的友谊创造了一个新的空间。她提醒我们要珍惜我们所拥有的友谊,因为如果到最后,那些过去被边缘化的地方,那些被学术界的女性所占据的边缘空间,实际上是所有创造性智力生活的中枢神经呢?米勒认识到女性外在和内心生活的本质的变革力量和中心地位,以及她们形成的重要而持久的友谊。
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来源期刊
a/b: Auto/Biography Studies
a/b: Auto/Biography Studies Arts and Humanities-Literature and Literary Theory
CiteScore
0.80
自引率
0.00%
发文量
27
期刊介绍: a /b: Auto/Biography Studies enjoys an international reputation for publishing the highest level of peer-reviewed scholarship in the fields of autobiography, biography, life narrative, and identity studies. a/b draws from a diverse community of global scholars to publish essays that further the scholarly discourse on historic and contemporary auto/biographical narratives. For over thirty years, the journal has pushed ongoing conversations in the field in new directions and charted an innovative path into interdisciplinary and multimodal narrative analysis. The journal accepts submissions of scholarly essays, review essays, and book reviews of critical and theoretical texts as well as proposals for special issues and essay clusters. Submissions are subject to initial appraisal by the editors, and, if found suitable for further consideration, to independent, anonymous peer review.
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