Mord, blod och rosslande kämpars dödskval

Q2 Arts and Humanities
Barnboken Pub Date : 2022-12-09 DOI:10.14811/clr.v45.731
M. Andersson
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引用次数: 0

Abstract

Murder, Mayhem, and the Moans of Dying Men: Fridtjuv Berg’s Trojanska kriget and The Iliad for Children Around the turn of the twentieth century, several retellings of Homer’s epic and Greek mythology were published for children in Sweden. Fridtjuv Berg’s Trojanska kriget (The Trojan War, 1901) in the canonical publication series Barnbiblioteket Saga (The Children’s Library Saga) became one of the most long-lived. This article examines the characteristics of Berg’s rewriting by an analysis of the organization of the narrative, paratextual features, and the depiction of gender. Berg’s strategies are compared with another contemporary rewriting of The Iliad, Kata Dalström’s Grekiska guda- och hjältesagor (Greek Tales of Gods and Heroes, 1893). The article shows that the two rewritings mainly depict the same events and in the same order. Trojanska kriget foregrounds the historical content of The Iliad in the paratexts and by structuring the narrative around the foundation and fall of Troy. Dalström’s paratexts stress the timelessness of the work by references to a long cultural tradition, which is reinforced by illustrations depicting artworks from different eras. Berg’s book is more richly and uniformly illustrated, and Louis Moe’s illustrations highlight the action of the tale. Furthermore, Berg and Dalström focus on different aspects when abridging the tales, which influences the depiction of gender. While both rewritings describe a patriarchal society, Berg puts greater emphasis on male relationships and heroism. The women are mainly described as passive victims of war or masculinist power structures. Dalström’s version contains a greater variety of women. The comparison makes clear that Berg’s greater interest in the historical and factual aspects of Homer’s epic may have contributed to a more conservative gender ideology. At the same time, the rapid action of Trojanska kriget together with the publication context in Barnbiblioteket Saga are probably two of the factors behind the book’s success.
谋杀、混乱和垂死之人的呻吟:弗里乔夫·伯格的《特洛伊木马》和《儿童伊利亚特》在二十世纪之交,瑞典出版了几本荷马史诗和希腊神话的重述版。弗里乔夫·伯格的《特洛伊战争》(特洛伊战争,1901年)在权威出版物系列《儿童图书馆传奇》中成为流传最久的小说之一。本文从叙事的组织、文本的意蕴特征和对性别的刻画等方面分析了伯格的改写特点。伯格的策略与另一个当代的《伊利亚特》的重写,卡塔Dalström的Grekiska guda- och hjältesagor(希腊诸神与英雄的故事,1893年)进行了比较。文章表明,这两种改写主要描述相同的事件和顺序。Trojanska kriget将《伊利亚特》的历史内容置于准文本中,并围绕特洛伊城的建立和灭亡构建叙事。Dalström的作者通过引用悠久的文化传统来强调作品的永恒性,这一点通过描绘不同时代艺术品的插图得到加强。伯格的书插图更加丰富和统一,路易斯·莫的插图突出了故事的情节。此外,Berg和Dalström在对故事进行删节时侧重点不同,这也影响了对性别的刻画。虽然这两部作品都描述了男权社会,但伯格更强调男性关系和英雄主义。这些女性主要被描述为战争或男性主义权力结构的被动受害者。Dalström的版本包含了更多种类的女性。这种比较清楚地表明,伯格对荷马史诗的历史和事实方面的更大兴趣可能导致了他更保守的性别意识形态。同时,Trojanska kriget的快速行动和Barnbiblioteket Saga的出版背景可能是本书成功背后的两个因素。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
Barnboken
Barnboken Arts and Humanities-Literature and Literary Theory
CiteScore
0.40
自引率
0.00%
发文量
22
审稿时长
20 weeks
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