{"title":"A Critical Film Zone on Zoom","authors":"Laleen Jayamanne","doi":"10.1177/09749276221099089","DOIUrl":null,"url":null,"abstract":"Quite by chance, participating in Zoom webinars on two recent films about Sri Lanka, Funny Boy and The Single Tumbler, opened up an unexpected and surprising research problem. This was especially surprising because neither of the webinars were organised from within academic film studies.","PeriodicalId":51959,"journal":{"name":"Bioscope-South Asian Screen Studies","volume":"14 1","pages":"33 - 37"},"PeriodicalIF":0.4000,"publicationDate":"2022-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Bioscope-South Asian Screen Studies","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1177/09749276221099089","RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"ASIAN STUDIES","Score":null,"Total":0}
引用次数: 0
Abstract
Quite by chance, participating in Zoom webinars on two recent films about Sri Lanka, Funny Boy and The Single Tumbler, opened up an unexpected and surprising research problem. This was especially surprising because neither of the webinars were organised from within academic film studies.