Visual elements in children’s concrete poems: A multimodal analysis of Rain and Ice Cubes

IF 0.2 N/A LANGUAGE & LINGUISTICS
Thusha Devi Rajendra, Surinderpal Kaur
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引用次数: 0

Abstract

This study is based on the multimodal analysis of two children’s concrete poems from the poetry book, Splish Splash (1994) by Joan Bransfield Graham. It employs Kress and van Leeuwen’s (2006) Visual Grammar as the analytical tool to analyse the visuals in terms of compositional meaning. It investigates how visual elements (words and images) are represented in the poems. In addition, it focuses on the features of the images and how they cohere on a page. The findings suggest that the representations of images in the poems reproduce the dominant theme of water and its forms. Furthermore, the interrelated-systems of salience and framing are used extensively and they contribute to meaning-making. Words and images support each other and coexist to provide meanings in the poems. Therefore, the combination of words and images creates a meaningful whole and offers readers greater opportunities to create meanings.
儿童具体诗歌中的视觉元素:《雨》和《冰块》的多模态分析
本研究基于对琼·布兰斯菲尔德·格雷厄姆的诗集《飞溅》(1994)中两首具体的儿童诗歌的多模态分析。它采用Kress和van Leeuwen(2006)的视觉语法作为分析工具,从构成意义的角度分析视觉。它研究了视觉元素(文字和图像)如何在诗歌中表现出来。此外,它还侧重于图像的特征以及它们如何在页面上凝聚。研究结果表明,诗歌中的意象再现了水及其形态的主导主题。此外,显著性和框架的相互关联系统被广泛使用,它们有助于意义的形成。在诗歌中,文字与意象相互支持、共存,共同提供意义。因此,文字和图像的结合创造了一个有意义的整体,为读者提供了更多的创造意义的机会。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
CiteScore
0.50
自引率
50.00%
发文量
42
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