Transformation of the Hagiographic Genre in the Russian Court Literature of the Early Modern Times

L. Sazonova
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Abstract

A significant moment in the history of the hagiographic genre falls on the Early Modern Times in Russia (the second half of the 17th – the beginning of the 18th c.). Continuing to serve to didactic goals and to create a «hagiographically enlightened» ideal image, the life of a saint is included in the court Russian literature in the composition of the namesake greeting, a characteristic and extremely popular genre of the epoch. The article demonstrates that the image of the saint, heavenly patron of the sovereign or members of the royal family played an important rolein the spiritual life of Tsars Alexei Mikhailovich and his son Fyodor Alekseevich. The importance of it was reflected in an appeal of the poets to the lives of the saints and especially revered ascetics at the court,in order to create the namesake poetic greetings on the hagiographic basis. The stencil of the medieval genre is eroded. The panegyric glorification of the addressee and the praise to his heavenly patron in the poetic message, permeated through and through with the hagiographic motifs,  is combined with the political actualization of the content of the work.
近代早期俄罗斯宫廷文学中圣徒体裁的转变
圣徒传记体裁历史上的一个重要时刻是在俄罗斯的近代早期(17世纪下半叶- 18世纪初)。继续服务于说教的目标,并创造一个“圣徒启蒙”的理想形象,圣人的生活被包括在俄罗斯宫廷文学的同名问候的组成中,这是一个时代的特点和极其流行的类型。本文论证了圣人、君主的守护神或皇室成员的形象在沙皇阿列克谢·米哈伊洛维奇及其儿子费奥多尔·阿列克谢耶维奇的精神生活中发挥了重要作用。它的重要性反映在诗人对圣人生活的呼吁,尤其是宫廷中受人尊敬的苦行僧,为了在圣徒传记的基础上创造同名的诗歌问候。中世纪体裁的模板被侵蚀了。在诗歌信息中对收信人的颂词赞美和对他的天堂赞助人的赞美,与圣徒的主题贯穿始终,与作品内容的政治实现相结合。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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