Philip Melanchthon on Himself and His Books: The Preface to His Operum tomi quinque, 1541

IF 0.1 0 MEDIEVAL & RENAISSANCE STUDIES
Zachary Purvis, Casey B. Carmichael, Timios Cook
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引用次数: 1

Abstract

ABSTRACT Although Philip Melanchthon did not write his memoirs, he did reflect on his ‘life and times’ in a Latin preface he wrote to the first collected edition of his works, the Operum tomi quinque (1541), at the behest of the Basel printer Johannes Herwagen. The preface is highly significant for the reflections it contains on Melanchthon’s education, scholarship, and service to the Church. In particular, it offers special insight into the perennial debate over the Wittenberg professor concerning his humanism and its relation to the Reformation. Nearly all subsequent editions of Melanchthon’s works in the early modern period became implicated in some fashion in often bitter intra-Lutheran conflicts. The fact that this preface and the edition in which it appeared predates these conflicts is another reason to investigate it. The preface is offered here in English translation, with an introduction to the text and details concerning its printing.
菲利普·梅兰希顿谈他自己和他的书:《他的五代歌剧序言》,1541年
虽然菲利普·梅兰希顿没有写回忆录,但在巴塞尔印刷商约翰内斯·赫瓦根的授意下,他为自己的第一部作品合集《tomi quinque歌剧》(1541)写的拉丁文序言中,他确实反思了自己的“生活和时代”。序言是非常重要的,因为它包含了对梅兰希顿的教育,学术和服务教会的反思。特别是,它提供了对维滕贝格教授关于他的人文主义及其与宗教改革的关系的长期争论的特殊见解。在近代早期,几乎所有梅兰希顿作品的后续版本都以某种方式卷入了路德教会内部的激烈冲突。事实上,这个序言和它出现的版本早于这些冲突是另一个研究它的理由。这里提供了英文翻译的序言,介绍了文本和印刷细节。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
REFORMATION & RENAISSANCE REVIEW
REFORMATION & RENAISSANCE REVIEW MEDIEVAL & RENAISSANCE STUDIES-
CiteScore
0.40
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0.00%
发文量
10
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