{"title":"The grief and the possibility: An autoethnographic reflection on teaching community music at third level during COVID-19","authors":"Kathleen Turner","doi":"10.1386/ijcm_00076_1","DOIUrl":null,"url":null,"abstract":"In this autoethnographic reflective essay, I explore the challenges that the COVID-19 crisis presented to community music training and practice within a university setting, through the evocative ‘storying’ of key experiences from my own work. I acknowledge the sense of grief that came with losing opportunities for music-making face to face. Whilst online music-making matters, the visceral experience of sound within space was deeply missed by staff and students. In contrast, I also explore the possibilities that COVID-19 pushed us to explore. These include connecting with international partners in our regular teaching, establishing a digital collaborative project with a local school and creating online placement opportunities. I explore the unexpected developments in teaching, learning and scholarship that have occurred as a result. I also acknowledge the questions and critiques that the pandemic revealed. Whilst the longing for in-person music-making continued, it was reassuring to know that we retained our capacity to connect.","PeriodicalId":43980,"journal":{"name":"International Journal of Community Music","volume":"89 1","pages":""},"PeriodicalIF":0.9000,"publicationDate":"2023-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"International Journal of Community Music","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1386/ijcm_00076_1","RegionNum":4,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"MUSIC","Score":null,"Total":0}
引用次数: 0
Abstract
In this autoethnographic reflective essay, I explore the challenges that the COVID-19 crisis presented to community music training and practice within a university setting, through the evocative ‘storying’ of key experiences from my own work. I acknowledge the sense of grief that came with losing opportunities for music-making face to face. Whilst online music-making matters, the visceral experience of sound within space was deeply missed by staff and students. In contrast, I also explore the possibilities that COVID-19 pushed us to explore. These include connecting with international partners in our regular teaching, establishing a digital collaborative project with a local school and creating online placement opportunities. I explore the unexpected developments in teaching, learning and scholarship that have occurred as a result. I also acknowledge the questions and critiques that the pandemic revealed. Whilst the longing for in-person music-making continued, it was reassuring to know that we retained our capacity to connect.
期刊介绍:
The International Journal of Community Music publishes research articles, practical discussions, timely reviews, readers'' notes and special issues concerning all aspects of community music. The editorial board is composed of leading international scholars and practitioners spanning diverse disciplines that reflect the scope of community music practice and theory. This journal is double-blind peer-reviewed in order to maintain the highest standards of scholastic integrity.