Puitisasi Terjemahan Al-Qur’an Mohammad Diponegoro (Kajian Kabar Wigati dan Kerajaan: Puitisasi Terjemahan Al-Qur’an Juz ke-29 dan ke-30)

Muhammad Ridha Basri
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Abstract

Al-Qur’an was revealed by Arabic which was commonly used in the 7th century. As the spread of Islam to many countries, language transfer of the Qur’an becomes a necessity. In Indonesia, translation began with Tarjuman al-Mustafid in the 17th century. Translation became lively in the 20th century. In addition to translation, poetry translations have also emerged. This study reviews the work of Mohammad Diponegoro, Kabar Wigati dan Kerajaan: Puitisasi Terjemahan Al-Qur’an Juz ke-29 dan ke-30, which was originally published in 1977. This work is in the form of lyric poetry and is classified as a new type of poetry. Diponegoro called his work: the poetic translation of the Qur’an, not the poetic translation as HB Jassin’s work. Mukti Ali called this work as art that was born from the Qur’an. In poetry, words are the key, which connects the reader to the poet’s ideas and intuition. Diponegoro arranges linguistic elements and diction choices like poetry in general. Understanding a poem requires an intensification process. This library research will review the poetry of Diponegoro’s translation of the Qur’an with a historical, literary, hermeneutical-interpretative approach.
公元29年至30年的伊斯兰教译本
《古兰经》是由7世纪普遍使用的阿拉伯语所揭示的。随着伊斯兰教在许多国家的传播,古兰经的语言转换成为一种必要。在印度尼西亚,翻译始于17世纪的Tarjuman al-Mustafid。翻译在20世纪变得活跃起来。除了翻译,诗歌翻译也出现了。本研究回顾了Mohammad Diponegoro, Kabar Wigati dan Kerajaan: Puitisasi Terjemahan Al-Qur 'an Juz ke-29 dan ke-30的工作,该工作最初于1977年出版。这部作品是抒情诗的形式,被归类为新诗。Diponegoro称他的作品为《古兰经》的诗歌翻译,而不是HB Jassin的诗歌翻译。穆克提·阿里称这一作品为源自《古兰经》的艺术。在诗歌中,文字是关键,它将读者与诗人的思想和直觉联系起来。狄波尼戈罗安排语言元素和措辞的选择就像一般的诗歌一样。理解一首诗需要一个强化的过程。本图书馆的研究将以历史、文学、解释学和解释学的方法来回顾狄波尼哥罗翻译的古兰经诗歌。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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