{"title":"The algorithm knows I’m Black: from users to subjects","authors":"Daniel Meyerend","doi":"10.1177/01634437221140539","DOIUrl":null,"url":null,"abstract":"In October of 2018, several Black Netflix users took to Twitter to air their grievances about images in movie thumbnails featuring Black actors with minor roles, even when the movie itself was a majority white cast. In response to these critiques, Netflix claimed that because users are not asked about their racial identity, it is impossible to personalize the individual Netflix experience using identity markers. This article explores the interplay between algorithmic cultures and representations of race, examining the identity and voices of users and how their agency is affected within algorithmic systems. Users are seeking agentic traction in these algorithmic spaces, and this research begins to address how Black users are positioning themselves to make sense of the digital constraints placed on them. Black subscribers of Netflix heavily critiqued the algorithms used to advertise content to them, and I examine how Netflix constructs Black users as Black subjects in order to keep them engaged with the platform.","PeriodicalId":18417,"journal":{"name":"Media, Culture & Society","volume":"19 1","pages":"629 - 645"},"PeriodicalIF":2.3000,"publicationDate":"2022-12-07","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"3","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Media, Culture & Society","FirstCategoryId":"98","ListUrlMain":"https://doi.org/10.1177/01634437221140539","RegionNum":1,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q1","JCRName":"COMMUNICATION","Score":null,"Total":0}
引用次数: 3
Abstract
In October of 2018, several Black Netflix users took to Twitter to air their grievances about images in movie thumbnails featuring Black actors with minor roles, even when the movie itself was a majority white cast. In response to these critiques, Netflix claimed that because users are not asked about their racial identity, it is impossible to personalize the individual Netflix experience using identity markers. This article explores the interplay between algorithmic cultures and representations of race, examining the identity and voices of users and how their agency is affected within algorithmic systems. Users are seeking agentic traction in these algorithmic spaces, and this research begins to address how Black users are positioning themselves to make sense of the digital constraints placed on them. Black subscribers of Netflix heavily critiqued the algorithms used to advertise content to them, and I examine how Netflix constructs Black users as Black subjects in order to keep them engaged with the platform.
期刊介绍:
Media, Culture & Society provides a major international forum for the presentation of research and discussion concerning the media, including the newer information and communication technologies, within their political, economic, cultural and historical contexts. It regularly engages with a wider range of issues in cultural and social analysis. Its focus is on substantive topics and on critique and innovation in theory and method. An interdisciplinary journal, it welcomes contributions in any relevant areas and from a worldwide authorship.