The algorithm knows I’m Black: from users to subjects

IF 2.3 1区 文学 Q1 COMMUNICATION
Daniel Meyerend
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引用次数: 3

Abstract

In October of 2018, several Black Netflix users took to Twitter to air their grievances about images in movie thumbnails featuring Black actors with minor roles, even when the movie itself was a majority white cast. In response to these critiques, Netflix claimed that because users are not asked about their racial identity, it is impossible to personalize the individual Netflix experience using identity markers. This article explores the interplay between algorithmic cultures and representations of race, examining the identity and voices of users and how their agency is affected within algorithmic systems. Users are seeking agentic traction in these algorithmic spaces, and this research begins to address how Black users are positioning themselves to make sense of the digital constraints placed on them. Black subscribers of Netflix heavily critiqued the algorithms used to advertise content to them, and I examine how Netflix constructs Black users as Black subjects in order to keep them engaged with the platform.
从用户到实验对象,算法都知道我是黑人
2018年10月,Netflix的几名黑人用户在推特上表达了他们对电影缩略图中黑人演员扮演次要角色的不满,即使电影本身主要是白人演员。作为对这些批评的回应,Netflix声称,由于用户没有被问及他们的种族身份,因此不可能使用身份标记来个性化Netflix的个人体验。本文探讨了算法文化与种族表现之间的相互作用,研究了用户的身份和声音,以及他们的代理如何在算法系统中受到影响。用户正在这些算法空间中寻求代理牵引力,这项研究开始解决黑人用户如何定位自己,以理解施加在他们身上的数字限制。Netflix的黑人订阅者严厉批评了用于向他们宣传内容的算法,我研究了Netflix如何将黑人用户构建为黑人主体,以保持他们与平台的互动。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
CiteScore
6.40
自引率
12.10%
发文量
101
期刊介绍: Media, Culture & Society provides a major international forum for the presentation of research and discussion concerning the media, including the newer information and communication technologies, within their political, economic, cultural and historical contexts. It regularly engages with a wider range of issues in cultural and social analysis. Its focus is on substantive topics and on critique and innovation in theory and method. An interdisciplinary journal, it welcomes contributions in any relevant areas and from a worldwide authorship.
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