That’s Entertainment: Crafting a Creative Ecology within Public Television

IF 0.8 Q3 COMMUNICATION
Grant Mooney, S. Burdon, Kyeong Kang
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引用次数: 5

Abstract

ABSTRACT Television has gone through a period of rapid disruption in the last few years. New technologies, increased globalization, shifting demographics, and evolving consumer demand have impelled widespread change to business models. Consequently, Broadcasters have been forced to re-examine their approaches to creativity and ideation including capacities and enabling methods. Following analysis of recorded interviews with key personnel behind three recent television productions a better understanding of the cultural ecology surrounding creativity was developed. Findings emphasized the decisive influence that internal sense of community, tacit realization practices, and quality leadership – all working together – play in delivering a distinctive production to a mass-market media audience.
这就是《娱乐:在公共电视中打造创意生态》
在过去的几年里,电视经历了一段快速中断的时期。新技术、日益全球化、人口结构变化和不断变化的消费者需求推动了商业模式的广泛变革。因此,广播公司被迫重新审视其创造和构思的方法,包括能力和使能方法。在对最近三部电视制作背后的主要人员的访谈记录进行分析之后,对围绕创造力的文化生态有了更好的理解。研究结果强调了内在的社区意识、默契的实现实践和高质量的领导——所有这些共同作用——在向大众市场媒体观众提供独特的产品方面发挥着决定性的影响。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
CiteScore
3.10
自引率
5.30%
发文量
12
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