Acting: From Imagination to Transformation

Mykhailo Barnych, Nataliіa Horbachuk
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引用次数: 0

Abstract

The purpose of the research is to analyze the actor’s work on himself before going on stage or set and reveal the main ways to prepare the actor for a stage role or movie role in the imagination. Working on a role in the imagination is one of the most important points in preparing for playing on stage or the set. The research methodology is based on the theoretical and analytical method of defining the main creative methods of preparing an actor for the playing and their application while playing to get used to the role. The scientific novelty consists in a holistic study of the work of a theatre and film actor in the imagination and at the preparatory rehearsal stage of creating a role. Conclusions. Based on the work analysis of the actor of theatre and cinema, the features of working on the role in the imagination, at rehearsals and the use of this creative method during the performance or on the set of the film have been determined. It has been revealed that one of the important ways to prepare an actor for the playing is role improvisation. It has been found that the creative atmosphere on the set has a beneficial effect on the result of the acting. A necessary point in the work of an actor on himself is the study and development of natural instruments, in particular, the mastery of voice, facial expressions, gestures, breathing. An important part is to study the mechanism of arousal of the actor's experience in the role.
表演:从想象到转变
研究的目的是分析演员在舞台或布景前对自己的工作,揭示演员在想象中为舞台角色或电影角色做准备的主要方式。在舞台上或布景上准备一个角色时,在想象中工作是最重要的一点。研究方法是基于理论和分析的方法来确定演员为戏剧做准备的主要创作方法以及他们在表演中适应角色的应用。科学的新颖性在于对戏剧和电影演员在想象和创造角色的准备排练阶段的工作进行全面的研究。结论。通过对戏剧和电影演员的工作分析,确定了在想象中、排练中对角色进行工作的特点,以及在演出或电影现场使用这种创作方法的特点。据透露,为演员准备戏剧的重要方法之一是角色即兴创作。人们发现,片场的创作氛围对表演效果有有益的影响。演员对自己工作的一个必要点是学习和发展自然工具,特别是对声音、面部表情、手势和呼吸的掌握。一个重要的部分是研究演员在角色中经历的唤醒机制。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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