Dali-dali at dekonstruksyon: Poetika at politika sa panahon ng pinagmamadaling pagtula

IF 0.2 Q4 COMMUNICATION
Plaridel Pub Date : 2022-01-01 DOI:10.52518/2022-10andrd
Michael Francis C. Andrada
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引用次数: 0

Abstract

Abstract This paper studies the digital modes of producing and distributing Philippine poetry during the presidencies of Gloria Macapagal Arroyo, Benigno Aquino III, and Rodrigo Duterte. The corpus used for this study are various poems created and dispensed through online generators, single message service (SMS) or text messaging, and social media, Twitter in particular. Democratic access to these new technologies has given literary producers newer platforms to exercise creativity and to interrogate the times. Poetry production via digital platforms is both an exploration of the genre and of political praxis. This paper studies select digital poems traversing what Leonardo Dianzon expounded as the cultural traditions of panunudyo (parody) and panunuya (irony or sarcasm). Further, this paper explores how poets in this digital age have variably contributed to the literary continuum and protest tradition of the Propaganda Movement’s Marcelo H. Del Pilar.
摘要本文研究了阿罗约、阿基诺三世和杜特尔特总统执政期间菲律宾诗歌的数字化生产和发行模式。本研究使用的语料库是通过在线生成器、单消息服务(SMS)或短信以及社交媒体(尤其是Twitter)创作和分发的各种诗歌。民主地使用这些新技术为文学制作人提供了新的平台来发挥创造力和质疑时代。通过数字平台进行诗歌创作既是对诗歌体裁的探索,也是对政治实践的探索。本文选取了一些数字诗歌进行研究,这些诗歌跨越了列奥纳多·殿宗所阐述的“仿拟”和“反讽”两种文化传统。此外,本文还探讨了数字时代的诗人如何对宣传运动的马塞洛·h·德尔·皮拉尔的文学连续体和抗议传统做出不同的贡献。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
Plaridel
Plaridel COMMUNICATION-
CiteScore
0.40
自引率
66.70%
发文量
17
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